Archive for the ‘whiners with websites’ Category

Exit Stage Right

Sunday, August 16th, 2009

nudeonbike2
Previously unpublished photograph of the original SAVE RICHMOND staff. From left to right: Andrew Beaujon, “Eagle Eyes” and Don Harrison. Not pictured and probably hiding: Ewa Beaujon.

Don here. I sat down to write a teary-eyed goodbye and to say how much I’m going to miss everybody and how it was the end of an era and that times are changing and the cow jumped over the moon… blah blah blah.

And then I realized that I’m not really going anywhere.

At any rate, it’s all true. Your humble narrator has accepted a position at Style Weekly — I’m the new Arts and Culture Editor. But it’s not all a kick and a gas. I have to give up posting here at Save Richmond.

That doesn’t mean SR is going away. This web address will live on. “Eagle Eyes” will continue to post here, and bring you his tenaciously-researched overview of Metro Richmond. Yes, he is a skeleton in a top hat (see photo above) but don’t let that shake you.

And, obviously, I’m not going to go away either. I have to assume that, if you read Save Richmond, you also read Style Weekly. If not, get thee to a big newsbox adorned with an S immediately! Or click on this spot right here. Save Richmond has been linking to Style’s excellent arts and news coverage, and discussing their reporting, for years. Now I get to work with these talented people. How cool is that?

A couple of weeks ago, when we celebrated our sixth anniversary, I explained that Save Richmond didn’t start out as a blog. And it would never have been one without the seminal snark of Andrew Beaujon and the early support of his wife Ewa Beaujon. Save Richmond has also been enhanced by the savvy financial forensics work of “Eagle Eyes” — that kid’s a keeper. Basically, all I’ve been trying to do here is to keep up with those folks.

Damn. Now I’m getting teary eyed.

(But I’m cheered by the news that I’m getting my Christmas present early this year. That’s a hint, by the way.)

Thanks everyone. See you at Style.

The Answers From CenterStage

Wednesday, August 12th, 2009

Don here. When Eagle Eyes and I submitted our “Twenty Questions” to CenterStage earlier in the summer, I thought we were being very easy on them.

We didn’t ask about an artists endowment — there isn’t one — or the rumors that ticket sales for the CenterStage grand opening weekend have been slow. And we didn’t ask why there is so little of substance announced on the initial event schedule (BTW: Bringing in The Oak Ridge Boys is actually a good idea. In the context of a full and diverse schedule of events, that is. So where’s the rest? Or is this it?)

We didn’t ask about the parking situation, although there seems to be some problems there too. And we didn’t press too hard on how the Foundation intends to respect the history (ahem!) of the historic Richmond theatres they’ve been handed the keys to, and given considerable public subsidy to oversee and to safeguard. Perhaps, in light of recent events, we should have.

[Incidentally, it's always worth reminding people that this project is, was and will be funded by public tax dollars. So anyone who tries to tell you that CenterStage, or RPAC, or VAPAF — whatever you want to call them — should be able to do with its "history" what it wants — like a private company reworking a new sales brochure — has an awfully broad and somewhat shitty view of both history and what it means to be a leader in the public trust.]

No, we didn’t press Jeff and Jay at Capital Results PR (who officially handled our inquiries about the project — thanks guys!) about such things as the lack of an artistic director — we assumed there would be one. After all, wasn’t there a guy named Joel Katz? And didn’t he run the Carpenter Center successfully for ten years with very little city subsidy? He was fired for truth-telling too.

Why does having an artistic director — a “vision” — matter? Let’s take a look at a reputable arts venue named CenterStage — Baltimore’s CenterStage — which does not take city tax dollars and is overseen by a staff that includes a seasoned artistic director. If you want a good example closer to home, take a look at the diverse international arts programs that the director of The American Theatre in Hampton, Michael Curry, brings to Tidewater each season in a former second-run movie house (click here for the 2009-10 schedule).

Gee, let’s get even closer than that. Think of Kathy Panoff and what she accomplished in building UR’s Modlin Center.

Make no mistake, folks. This stuff matters. You can’t pass your programming and your artistic direction off to a hockey arena promoter (in this case, SMG) and expect to have a “world class performing arts center.” It just doesn’t compute.

Anyway, we promised the boys at Capital Results that we would print their official answers “as is” with a very minimum of linking and editorializing. But forgive us for pointing out facts when the answers fail to do so, and please allow us the opportunity to tell you why some of these questions might just be a wee bit important, and especially to those people who say they support this thing and want it to work.

There was also one “followup” question that we are still a little unclear about.

But you’ll read all about it… as you wade through…

[Cue trumpets, or "Elvira" — your pick]

The Answers From CenterStage.

And for those of you coming in late to the CenterStage / Virginia Performing Arts Center story, feel free to plunder our archives. And start asking your own questions. After all, you are paying for this particular “serious fun,” whether you like it or not.

Go Pete Go!

Friday, August 7th, 2009

Pete Humes, over at Richmond Magazine’s Pop Culture Rodeo blog, has a confession to make:

This might be dangerous, but I’m going to do it anyway.

It’s not really a rant, because I’m not that angry. I wouldn’t call it a commentary, because my position isn’t very well defined. And you won’t be finding any deep background research, because it’s late and I’m lazy.

But I’ve got some things in my brain that need to get out. Either I write them down or I keep chewing them into nothing. There is no other option because my wife gets sick of hearing me talk sometimes. So you, the unfortunate few, will feel my lukewarm wrath.

My beef is with downtown. Specifically this Michael Bay-sized arts complex set to open in September. I don’t get it. I never have and I’m not sure that I ever will. To be honest, it seems silly and a bit over the top. I know that sounds blasphemous and shallow, and there are a hundred different people with a hundred different reasons who would be happy to tell me why I should feel otherwise … but that’s just how I feel.

And if Oprah taught me anything, it’s that feelings count for something.

Let’s forget for a moment where the money is coming from, who promised what and how many arts committees it takes to screw in a light bulb. That’s all crazy city politics. And I’m dumb, but I’m not dumb enough to pretend I know the first thing about city politics. There are people much smarter than me who aren’t afraid to read long documents and make phone calls who can sort that kind of stuff out. Me, I’m just the guy who wants to make fart noises in a crowded elevator.

I think CenterStage is a bad idea.

Read the rest by clicking right here.

These are the money grafs:

Downtown doesn’t need high culture. Downtown needs more low culture. We need bowling alleys and blues bars and rooftop paintball. We need coffee shops and video arcades and miniature golf.

If you find me a working time machine, I promise I’ll go back in time and steal the money raised for CenterStage and spend it on go-kart tracks and outer-space theme bars. Seriously. I wish I was kidding about this, but I just created the downtown of my dreams … without even really thinking about it. How can dozens of people meet for years and raise millions and come up with just another giant building that 98 percent of Richmond will never enter?

It All Comes Down To This

Monday, July 27th, 2009

July 13, 2009 - Jewell supports what the Attorney from Echo Harbor Said from Silver Persinger on Vimeo.

“The people are ready, the leaders are not.” James Crupi

Richmond City Council is slated to vote — no, has to vote (by state mandate) — on a final amendment to the Downtown Master Plan tonight in City Council chambers.

Pre-game coverage starts at 6PM on WCVE, sponsored by Harris-Teeter. Looks like it’s going to be another bruiser… wait, have we been here before?

Yep, once again City Council wants to emasculate “The People’s Plan.” What started as the most inclusive and forward-thinking public document that Richmond has ever produced could be gutted at the very last minute by an amendment that basically favors development over protecting green space — hardly a plank of the document.

To see “highlights” of the last council session, and see YOUR council in all its glory, click onto Silver Persinger’s excellent Richmond City Council Reporter blog for web video. You’ll laugh, you’ll cry, you’ll inevitably ask, “That’s a city councilperson?”

If you are coming in late — very late — to the story, check out John Sarvay’s excellent coverage of the Downtown Master Plan — from optimistic start to (now) woeful finish.

If you think you understand the politics and the process behind Richmond’s DMP, go ahead and take Save Richmond’s E-Z 2 Love the Downtown Plan quiz. And then, because this is Richmond’s Downtown Plan, you can amuse yourself with Save Richmond’s amendment to that quiz.

In a nutshell, this is all about Echo Harbour. And whether or not one deep-pocketed developer should decide what a key and historic view of the James River looks like. But it’s also a story about vision, or lack of it. And, unfortunately, it’s also a story about conflict-of-interest and blatant patronage politics. It’s a Richmond story.

But here’s the thing to warm your cockles — the tale is peopled with folks who have been telling the city, again and again, at charettes and public hearings, at committee meetings and mayor’s forums, exactly they want. Unfortunately, this city council and mayor continue to shuffle their feet, mumble some platitudes and take another call.

People wonder why we’re not more optimistic about city leadership at Save Richmond. I give you Exhibit A: The fate of our Downtown Master Plan.

The final days of this document are a textbook example of how communities can lose their nerve, and how they can give away their most valuable assets, hastening their obsolescence. This car crash finale is also a signal to citizens about what future inclusive documents can expect from the “process.” Already compromised all to Hell, and pushed to the very last minute by indecisiveness, one of the DMP’s central tenets may just be cast aside tonight.

Business as usual.

And, to paraphrase Yoda, “That is why we fail.”

The Whole Damn Combo Meal

Saturday, May 16th, 2009

Today, I like Paul Goldman more than ever… but I will never understand him.

L. Douglas Wilder’s former policy analyst, a perennial office seeker, is certainly unpredictable. Just when you think you’ve got Paul pegged as an opportunist/dreamer/kingmaker/crank/visionary (take your pick), he adds a new wrinkle to your impression of him.

Today, in a blog post (with a headline that is only slightly less funny than “SaveRichmond.com Editor Up In Arms Over His Chicken Alfredo”), he takes me to the woodshed over Save Richmond’s recent letter to his friend, Mayor Dwight Jones.

Say what you want about Paul — he’s a loyal dude and protective of his political friends. His formerly-estranged pal Jones was being “attacked” by some whiner with a website and Goldman instinctively rode off to the rescue. (It should be noted that Paul and I are also friendly acquaintances — and none of this is personal.)

Paul’s knee-jerk defense of Mayor Jones is admirable stuff considering that the underlying viewpoint of today’s blog post— that Richmond needs a weak mayor who simply “goes along” with city council — runs counter to just about everything that Goldman has worked and argued for since he gathered the signatures that ultimately led to Richmond’s “strong mayor” initiative getting on the ballot. It is noteworthy that 80% of Richmond voters voted yes to that particular proposition, and it is also worth a reminder that our current mayor only just managed to squeak out a victory in last November’s election.

Most folks got the point of the satirical letter we wrote to Dwight Jones, and we have to assume that Paul did as well: Richmond’s new Mayor Jones is being anything but a strong mayor. He, in fact, seems to be taking us back to the days when “going along” and political patronage and sweetheart backroom deals were the business models of choice for City Hall.

Even if we factor in Doug Wilder’s rocky and imperious rule, is there anyone out there (Paul included) who is ready to make the argument that Richmond was better off under the old system?

A 2005 article in Virginia Business described how that kind of “cooperative” system worked out for Richmond:

Between 1999 and 2004, three council members were packed off to federal prison. They include Councilman and former Mayor Leonidas B. Young, who pleaded guilty to fraud, obstruction of justice and tax evasion in 1999; Councilman Sa’ad Al-Amin, who was found guilty of several felony tax-related charges; and Councilwoman Gwen C. Hedge-peth, who was found guilty by a federal jury of three bribery charges and one count of lying to the FBI, all felonies. Moreover, federal probes into city financing uncovered graft that resulted in convictions of three other city officials. In one case, an assistant in the city manager’s office managed to steal a million dollars from the city.

Is Paul advocating a return to those good ol’ days?

If not, I have to throw Goldman’s favorite rhetorical catchphrase back at him: Where’s the beef?

Today’s Paul Goldman wonders why details matter — and asks why calling out the council and mayor on their respective budgets is so important.

But, once, there was another Paul Goldman, who said this on the campaign trail last year:


“The failure of the Wilder-led Administration and the Pantele-led Council to be straight with the people of Richmond about their failed budget and financial policies is one thing: but the failure of the local media to understand the importance of these matters as to their impact on the next Mayor is quite another.”

And


“As I have been saying for months, Wilder’s led City Hall and Pantele’s led
City Council need to stop wasting money on the most expensive City Hall and City Council in the state, and start cutting their expenses and government expenses, big time.”

And

“The more City Hall and City Council waste in spending that we can’t afford, the more in the end they will hurt the people of Richmond, especially the most vulnerable among us.”

How odd that today’s Paul Goldman suggests that it is foolish for anyone to point out such things as city council’s $91,000 appropriation for a “Council Policy Analyst” or the increased funding for a private “Party Patrol” at the expense of police and firefighting services. Today’s Paul Goldman says it is improper to condemn the hundreds of thousands that the mayor earmarked for the Sixth Street Marketplace. Save Richmond’s letter to the mayor was actually a bit too kind — it didn’t even mention things like council’s proposal to fund another expensive study of Shockoe Bottom, a piece of bloat that would come at the same time the city would cut thousands of dollars from Parks and Recreation programs.

The Paul Goldman of Yesterday was a master at pointing out such details and speaking out on why they matter. If yesterday’s Paul Goldman were looking at these 2009-2010 budget proposals, what would he say?

Something like this?


“There is not going to be any such double or near-double digit increase to pay for the bloated and expanded permanent city government they have now created. For too long, instead of making the hard decisions needed to expand our job base and thus our revenue base, and rein in the most expensive city hall, city council and city school bureaucracy in the state, city elected leaders and their fiscal teams have been authorizing spending at a rate that the people of Richmond can not afford.”

And I can only assume that today’s Paul (can we call him the “Paul Goldman of Earth Two”?) wrote his post denouncing Save Richmond’s letter before Mayor Jones gave his “State of the City” speech on Thursday. Standing before the Richmond Chamber, Jones all but confirmed the gist of Save Richmond’s concerns. He even admitted that, um, he had no idea what the state of the city was.

“It’s hard to do when you’ve been in office just 134 days.”

In lieu of hard details, Jones instead painted himself as a “Richmond’s biggest cheerleader” and gave essentially the same booster stump speech he’s been giving to 4-H Clubs since he took office. You know the one — where cooperation is mentioned way more times than leadership.

And now people know why we asked about the balls.

Jones also told the assembled Business Community throng that the Downtown Master Plan was subject to “negotiation” — nevermind that the document has already been heavily vetted and watered down by both the city planning commission and city council. If you were looking for a sign on Thursday that our new mayor was going to press the issue of Echo Harbour, and advocate strongly in favor of Planning Director Rachel Flynn and the transparent public process that gave birth to the DMP, you searched in vain. Instead, we got statements like this:

“It’s a plan. A plan is a guide, and that means there will be some negotiation along the way… I want to find a balance between preservation and economic development.”

Cooperation or capitulation?

Either way you look at it, it is a step backward for the city. I’m glad to see that other folks out there, if not Paul, can clearly see what is happening:

This is the man who had a 45 person transition team start work in November?? It is May and he still doesn’t have a handle on the state of the city?? That is amazing. Richmond got exactly what it wanted, a milquetoast wishy washy mayor who gets along with everyone and sings the city’s praises. No progress, no vision, no sense of direction, but everyone is saying nice things about each other. This is Richmond’s future.

Ouch!

Paul Goldman is a standup guy for speaking up for his friend, the Mayor. I acknowledge his loyalty and I appreciate the kind words he extended to me in passing as he expressed his displeasure with our criticisms of Dwight Jones.

But if Paul can’t see “the beef” here, it’s because he refuses to look under the bun, the tomato, the cheese and the pickles… or even to open up the styrofoam carton. The colloquial language found in our letter to Dwight Jones may have seemed frivolous and crude, but the situation couldn’t be more serious. Richmond’s future is at stake here — our plans and what kind of leaders our citizens want and deserve.

That isn’t just a slice of beef, Paul, that is the whole damn combo meal.

‘Nuff Said

Tuesday, May 12th, 2009

This one is for those who might think our letter to Mayor Dwight Jones is a little harsh.

From today’s Times-Dispatch (emphasis mine):

“We worked pretty closely with the mayor,” Councilwoman Ellen F. Robertson said. “I would be absolutely shocked if there was anything that he’d veto.”

Uh-huh.

Forget the Shockoe stadium. How about a “Public Square” on Richmond’s new “weak” mayor?

Richmond’s War on Nightlife (Cont.)

Wednesday, April 15th, 2009

War on nightlife? What war on nightlife?

The city is set to propose new rules for nightclubs and music venues in River City. Now where have we heard that tune before?

This week’s Style Weekly back page essay, penned by yours truly, takes a look at these new nightlife ordinances and recounts some of the “backstory” behind Richmond’s never-ending war on nightlife. I also manage to get in a dig at Chesterfield County, which is currently engaging in a “Footloose”-like war on dancing.

The Style Back Page begins:

A new promotional video commissioned by the Greater Richmond Partnership pays tribute to the city’s “live and vibrant music scene.” Venture Richmond’s Web site does the same: “Downtown Richmond has been attracting both local and national artists, performers and musicians for years and today a lot of Downtown’s vibe and energy comes from them.”

So what do you do with your downtown vibe? Naturally, if you are Richmond, you try to shut it off.

A few years ago, just as the National Theater and Toad’s Place were opening, the Wilder administration prepared a little housewarming gift. It proposed a series of laws that would have given the city the power to close down any club with little due process, and sought to actually penalize music venues for holding successful shows. Club owners were to “submit a plan for traffic and crowd control in and around the establishment to the police no later than seven days prior to the event” if they believed their show would be a success. Police then had to approve the concert.

Those loopy edicts — forcing club owners to be mind readers and to hope against last-minute ticket sales — were shelved. But City Hall is still determined to do something about all of this nightlife being championed in the tourist brochures.

A soon-to-be-proposed ordinance seeks to define nightclubs separately from restaurants and would require new music venues and promoters to file for a $1,100 conditional use permit in order to hold events — sorry Mr. Clapton — after midnight. Existing clubs would not have to adhere to this rule, and venues that feature disc jockeys and recorded music would be particularly affected.

There’s at least one common-sense notion in the proposed new rules: Clubs would have to file a management plan with the city that covers everything from noise to trash collection to security. It’s a reasonable idea, but why should clubs have to pay the city an exorbitant sum to file such a plan?

Read the whole thing right here.

… and it should be noted that Richmond’s unofficial slogan, “The City That Fun Forgot,” was first coined way back in 2002, in a two-part Richmond Magazine feature article by Harry Kollatz and Richard Foster. I wish I had a .pdf of this piece to link to because it is still relevant. Harry makes reference to it here and here over at his blog, The Hat.

Tick… Tick… Tick…

Wednesday, April 1st, 2009

safety-last

Who cares if private fundraising is way, way, way down… ?

and why worry that the place won’t have an executive director until after it opens… ?

and why should local arts groups be concerned about where their promised arts endowment is… ?

Just relax.

The publicity stunt is here.

From a press release:

Artists announced for September 12-13 Grand Opening;
Clock on Broad Street starts ticking away time until doors open

RICHMOND – One-hundred and sixty-five days: The countdown is on to the Grand Opening of Richmond CenterStage, with a brand new clock on Broad Street that will tick away the moments until the September 12th grand opening of the world-class performing arts complex.

“The opening of Richmond CenterStage has been a long time coming, and the cultural impact this facility will bring to the city is within sight,” said Jim Ukrop, Chairman of the CenterStage Foundation, the fundraising arm of the performing arts center. “When CenterStage opens this year, it will become the cornerstone of this up-and-coming arts district in Virginia’s capital city.”

The Countdown Clock and signage measure 8 feet high by 16 feet long, and contain 1,280 digital LED lights. The 120-pound clock, designed by Chester-based Holiday Signs, will stand on the CenterStage construction site until the Grand Opening, 165 days from today. The clock was unveiled by school-age local performers.

Yeah, I hear a ticking sound all right. But it’s not a clock.

UPDATE: Several readers have contacted us with questions about all of this. No, the above is NOT an April Fool’s Joke. As much as it might read like one.

Today’s Richmond Times-Dispatch reveals even more absurdity. The paper reports that CenterStage planners and municipal enablers were comparing downtown Richmond to “Beirut” at their sparsely-attended publicity event yesterday — um, no, actually it’s “Bosnia,” folks — while admitting in public that this is not an arts-first endeavor but a bald-faced attempt by corporate bigwigs to spruce up both their downtown real estate and previous taxpayer-supporting boondoggles they’ve championed.

And — how typical for these dudes — they still don’t get it that the downtown arts community is doing pretty good without their arts center. In fact, they seem to think that an arts center that hasn’t even opened yet (a project that has wasted $11 million in public money on nothing but empty promises) is somehow responsible for the success of Curated Culture’s “First Friday” artwalk — a grassroots arts endeavor which was started eight years ago.

O-o-o-kay!

As for their reference points…

The reformed Lebanese capital of Beirut has had its share of awful times, but today it is actually considered a worldwide destination for the arts and nightlife, and was just named to the top of the list of the world’s “Best Places to Visit” by the New York Times. If you’ll recall, the last time the Times wrote about Richmond, it was to tell the outside world that River City had a crazy mayor and a dysfunctional government.

Yep, those in charge of hyping Richmond’s ongoing “Bridge to Nowhere” have clearly disengaged themselves from reality. In today’s RTD article, CenterStage chairman Jim Ukrop is also quoted telling reporters that this arts center project is one of the reasons why Richmond has a new Federal Courthouse.

I don’t suppose any of the reporters on hand were able to ask followup questions. Someone needed to inform Mr. Ukrop that the Federal Courthouse opened last year. Meanwhile, when it comes to an arts center, all we’ve gotten so far is a Digital time ticker… and not-so-fond memories of a $21 million hole in the ground.

Historical revisionism? Try HYSTERICAL revisionism. And you are paying for it.

Help Wanted For Boondoggle

Thursday, March 26th, 2009

CURRENTLY SEEKING:

An Executive Director who can tell the difference between this…

ft3nl1xd2xc

… and this:

snapshot-2009-03-21-13-56-38

When it comes to Richmond’s own “Bridge to Nowhere,” Save Richmond has earned the right many times over to say it.

We told you so.

Amy Biegelsen’s update on the CenterStage boondoggle in the latest Style Weekly should be a sobering wake up call to all arts center apologists and enablers who think that the Titanic has finally up-ended itself and is smoothly sailing along. Emphasis mine:

The [Centerstage] foundation’s fundraising efforts are critical to local arts groups that hope the money will offset rental costs for those performing in the city-owned facility that’s been financed, in part, by a $25 million investment from the city and millions more in state and federal tax credits.

It’s unclear what donations will total for the fiscal year ending in June, but the foundation raised $2 million in private money in fiscal 2008 compared with nearly $20 million in 2007.

Read that last part again, and then consider this: When private donations are down, that means more public money must be introduced to offset the difference.

And City Council, in all of its wisdom, recently took away all of the safeguards and protections that would have forbidden the Foundation from asking for more public money. Because that’s just the kind of thing city politicians do for their richest friends.

Um, anyone over in Shockoe taking any notes on this? This arts center thing was originally supposed to be “privately financed” too, with only a little “seed money” from taxpayers (and here’s a fun fact that will make you scratch your head: The foundation’s plan has never been submitted to a single independent feasibility study during any of its many incarnations).

But don’t think for a moment that anyone associated with the project is panicking or getting a sense of urgency or anything. Quite the contrary:

Next week the CenterStage Foundation, the facility’s nonprofit fundraising arm, hits the one-year mark for running without an executive director.

“We’ve begun the process and hope to have that person on board before the end of September,” says Jay Smith, a spokesman for CenterStage. He says the foundation is not yet actively hiring because its members haven’t settled on “the skill set, expertise and experience that we want this person to have.”

Well, we sure know the “skill set” that they’ve employed up until now.

Any CenterStage Executive Director job listing would have to look something like…

FULL TIME EXECUTIVE DIRECTOR WANTED

The CenterStage Foundation is seeking a full-time Executive Director of its long-running, publicly-funded boondoggle. This person will be responsible for leading and directing staff in the attainment of excuses toward not meeting stated fundraising goals, and will spearhead efforts to find the lost “reams of evidence” that support the economic viability of the project (we think they fell behind the filing cabinet). Experience in highly creative accounting practices is a must. In addition, the director will train, develop, motivate and evaluate a team of fundraisers to put the squeeze on public officials (in the city of Richmond only, counties are strictly optional) in order to receive unlimited public funding for the next 99 years with little or no taxpayer oversight.

The successful candidate must have the unique ability to ghost-write reports for local politicians and then, somehow, to wait on pins and needles to see what those reports have determined. The successful candidate will be asked to produce and present magical marketing presentations that can turn $1 million bank balances into $68.8 million fundraising miracles. The successful candidate must be willing to pay outside consultants large sums of money to come up with recycled and shopworn ideas culled from neighboring cities. This chosen director must also be ready to award no-bid contracts to out-of-town management firms with little or no experience in running top-notch performing arts centers.

Excellent verbal and written communication skills are required — the ability to utilize words like “Fun” and “Wow” are a must. Are you able to churn out catchy catchphrases like “Smokescreen of Semanics”? Can you, with a straight face, blame private fundraising shortfalls on external factors such as a.) The previous economy b.) Summertime c.) “Irresponsible bloggers” and/or d.) The current economy? Well, if so, you may be the Executive Director For us (If, in the past, you have assisted in the dismantling of long-running area arts institutions, this would also be a big plus).

A corporate pedigree with absolutely NO practical or creative experience in the performing arts is required.

Salary: Candidate must be willing to make do with either $175K a year, or $275K a year, plus benefits, depending on which news service is asking the questions (salmon polo shirts are optional). You must also be willing to say, with a straight face, that your salary does not come from public money and then feign surprise when it is discovered that it does.

If you take the job and don’t like it after a few months, feel free to quit and become one of our many highly-paid consultants!

Interested candidates with the proper “skill set, expertise and experience” should take their cover letter, resume and salary requirements and burn them. They should then dig a hole and put their burned material in the hole. Candidates should then bury their burned material and go immediately over to the National and catch the great Neko Case on April 6.

Seriously, VAPAF’ers — take your sweet time hiring just that “right” person.

After years of broken promises, $21 million down the tubes, and private fundraising currently down to its previous dismal levels of achievement, I can’t think of a single reason why instilling public confidence, and installing accountable leadership, should be a high priority for you right now.

No, wait… I can think of two million reasons why.

Call To Arts

Wednesday, March 18th, 2009

The much-anticipated Richmond Region Cultural Action Plan has finally been released in full. This “call to action” — sponsored by the area’s arts organizations — is the product of more than a year of independent research, surveys, community meetings and interviews.

In this week’s Style Weekly, I contributed a “Back Page” essay on the proposal, “Call to Arts.” It begins:

The key components of a new and ambitious study on Richmond’s arts and culture were released to news media last week. And, so far, this Regional Cultural Action Plan has failed to garner much audience interest. Instead of the future of the Richmond Symphony, or a discussion on the popularity of the local theater scene, the blogosphere is awash in other cultural discussions over issues such as a possible Shockoe baseball stadium or whether the contemporary rock venue Toad’s Place will ever reopen.

Clearly, relevance is one of the challenges before the region’s premier arts organizations.

But this new study, a 111-page document facilitated by the California-based consulting firm WolfBrown, is worthy of attention. The most revolutionary aspect of the plan is that it was produced by the arts community itself — not a sector known for speaking out, especially with a shared sense of self.

Click here to read “Call To Arts” in its entirety.

… and you can download a copy of the Regional Cultural Action Plan by clicking right here.

To read more about the plan, click here and go to the Cultural Plan’s local blogspot.

To view installments of Save Richmond’s “Richmond Arts Flashback” — a series inspired by the long-simmering action plan — click right here.

Somebody’s Got To Do It

Thursday, January 29th, 2009

In October, Richmond City Council passed an ordinance that shields the taxpayer-funded CenterStage project from the Virginia Freedom of Information Act and basic taxpayer oversight.

We think that it is high time to challenge that odious piece of business.

To: John Winter, City of Richmond
Norman Sales, Richmond City Attorney
Bruce Tyler, 1st District Richmond City Councilman

1-29-09

Dear sirs:

I’m requesting the following, pursuant to the Virginia Freedom of Information Act:

1. Any current financing plan that includes breakdowns of different funding
sources for the CenterStage project;

2. The three most recent financial statements or project financial updates provided by the CenterStage project;

3. Any Documents that provide an itemization and totals of the city funds spent on (or provided to) the CenterStage project so far since the project’s inception;

4. Any correspondence sent or received (including electronic) from the last
120 days that discusses the CenterStage project’s requests for city funds;

5. Any correspondence sent or received (including electronic) from the last 120 days that discusses CenterStage’s Comprehensive Agreement with the City of Richmond.

I respectfully request that these documents be provided to me no later than 5:00 pm on Friday, Feb. 6, 2009.

My mailing address and electronic address are provided below.

Very truly yours,

Don Harrison
[CONTACT INFO REDACTED]

Stay tuned…

Richmond Arts Flashback: “Takin’ It To The Streets”

Tuesday, January 27th, 2009

History, shmistory! Let’s take a look at what is happening right now in Richmond. You can chalk the following up as some of today’s real “street-level arts” success stories:

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Richmond activist Christopher Maxwell couldn’t understand why our local public radio affiliate, WCVE, was so conservative and limited in its programming. When he complained to WCVE’s program director, he was told to go out and “start your own station.” He did, and that station is now WRIR 97.3. Staffed by dozens of area community volunteers, low-power WRIR has now become the City of Richmond’s official emergency broadcast outlet and is a valuable, dare-we-say IRREPLACEABLE local resource for news programming and alternative music of every stripe. Hear it online, and give money to the cause, right here. WRIR is about to kick off its 4th Anniversary Party on Feb. 4th. (See what happens when the grassroots community gets motivated? See what kind of volunteerism is out there for just the right idea?)

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Still confused about what “street-level art” is? You probably don’t read RVA Magazine, inarguably the bible of the area’s “DIY” music, fashion and arts scenes. The latest issue of RVA [full disclosure: These fine folks occasionally reprint the essays found here at Save Richmond] even presents a handy run-down of some of the most vital artists, designers, musicians and co-ops in our city. RVA’s hard copy edition is a beautifully-crafted concoction — one of many reasons why the free monthly mag disappears from newsstands soon after it appears. It was no surprise to devoted followers when the magazine won two much-deserved 2008 American Graphic Design Awards. “Our readers are not a lock-stepped army of conformists, marching under the same flag,” reads the magazine’s mission statement. “But they do share some common characteristics. They’re curious, always searching for the unique, the unexpected. They strive for new experiences and broadened horizons.” (Want a snapshot of some of the city’s real cultural leaders — it’s right here for you every month).

[The fine folks from RVA were also among the originators of Carytown's New Years Eve festivities. This event presents an object lesson in how "Official Richmond" can ruin a good thing... but we'll save that one for another time.]

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…and (last but hardly least) First Fridays is still going strong, revitalizing downtown through arts and culture after large, taxpayer-funded infrastructure projects have failed. Curated Culture’s artwalk (get a list of participating galleries and businesses here) continues to draw enthusiastic crowds to downtown streets each first Friday of the month, and continues to do this with little or no help from the City of Richmond itself (Read that last part again while stroking your chin and saying, “wha…?”) .

What was it that Richard Florida — the man everyone loves to namedrop — said about “street-level art”? By any yardstick, it seems to be the preferred brand around here.

Do these (and other) arts-related success stories — street-level and otherwise — share a common denominator? Click here and read “The Missing Notes,” my 2007 Style Weekly essay on how regional arts and music ventures seem to work out best when knowledgeable authorities and patrons are put in charge (And while we are on that subject, take a gander at my appreciation of the life and work of the great Beverly Sills, renowned performing artist and arts administrator.)

Also from Style Weekly, you can read Brandon Reynolds’ illuminating Aug. 2008 essay on Richmond’s “Cultural Swarm” — a nice overview of how “street level” art and the non-profit arts world intertwine in River City. One can only hope that those who are currently putting together Richmond’s Regional Cultural Action Plan have a copy of Brandon’s screed taped to their fridge.

Speaking of the plan, don’t forget to bookmark the informative new blog, The Richmond Regional Cultural Action Plan, which details the ongoing public process that will inform how to best manage (and help fund) the region’s arts organizations. You will also find links here to survey data — imagine that: Richmond likes music! — and announcements of both public meetings and online webinars. And you can stay informed about the plan by signing up for email updates right here.

For previous installments of Save Richmond’s “Richmond Arts Flashback,” click here.

And for a hilarious video of two cats on a treadmill, click here. (Don’t ask me why —it’s just funny.)