Archive for November, 2005

Virginia is for Brownies

Sunday, November 27th, 2005

I had to laugh when Morosco at CityWatch wondered how long it would be until Brad Armstrong started his own consulting firm.

But after reading this little item, I stopped laughing and realized that such a scenario is well within the realm of possibility.

CNU selects Ford for vice presidency
Richmond Times-Dispatch
Nov 27, 2005

The top fundraiser for the Virginia Performing Arts Foundation is headed to Christopher Newport University in Newport News as its vice president for advancement.

The appointment of Judy F. Ford was announced recently by CNU President Paul S. Trible Jr. Ford is a member of the university’s board of visitors and previously worked for Trible while he was a U.S. senator.

Wait for it…

She will oversee Christopher Newport’s advancement activities, including fundraising, marketing, public relations and government relations.

A Professional’s View

Thursday, November 24th, 2005

We are totally late on this one, folks. We didn’t believe it ourselves at first. It seems that an important, sobering, honest and thought-provoking essay on Richmond’s arts center controversy actually appeared in this past Sunday’s Times-Dispatch op-ed section.

No, sillies, we aren’t talking about this (although that nod to reality is indeed noteworthy). We’re talking about John Gerner’s piece, “We Can’t Assume Anything About Richmond’s Thalhimer’s Block.”

Get this — guest editorialist Gerner is a Richmond resident who actually makes his living advising entertainment complexes and “leisure projects” nationwide on their feasability. Gee, we wouldn’t want to talk with someone like him right now, would we?

Gerner’s analysis was written before recent events. But since the Virginia Performing Arts Foundation failed to commission a single independent feasibility study for their project, his neutral assessment (written in that bullet point style we expect from someone in the consulting profession) is must-reading — or at least a conversation starting-point — for any handpicked corporate committee serious about righting past mistakes and getting the lights turned back on at the Carpenter Center.

Mr. Gerner writes:

For more than 20 years, I’ve been a land-use economist evaluating leisure projects, including new performing arts centers. As a Richmonder, I’ve also been following the Virginia Performing Arts Foundation (VPAF) situation with personal interest and have commented before in Times-Dispatch articles.

There are major assumptions underlying recent statements about the future of the Thalhimers block that need to be discussed. They are:

–That a new multi-purpose theater is the best use of this property.

In my research, I’ve yet to find any analysis on the highest and best use of the Thalhimers block. How do we really know that the proposed multi-purpose theater would be the best way that this property can help downtown? Let’s conduct this evaluation before making any more decisions concerning this important part of our city’s future.

–That a new multi-purpose theater will ever be built.

Earlier this year, the Carpenter Center’s previous owner transferred its theater to the VPAF, the City of Richmond had given more than $7 million, and the arts groups put their future in jeopardy. All did so without requiring a guarantee in return. Why didn’t the foundation take similar risks?

Had it secured a construction loan that later would be paid back by its pledges, construction activity on the Thalhimers block site would now look much like the neighboring new Federal Courts Building. Instead, the VPAF’s reliance on the safer pay-as-you-go approach reduced the likelihood of the new theater ever being built from probable to only possible.

Future development is now contingent on major additional private funding, which has not happened under this uncertainty. At this time, there are no assurances concerning the future of the new multi-purpose theater and no decisions should be made based on such conditional plans.

–That the Carpenter Center will ever reopen.

A fundamental rule of development is: Don’t break ground until the financing is in place. This seemed to be the case last January when the foundation announced the closing of the Carpenter Center and the beginning of its renovation that same month. The VPAF assured the theater’s previous owner that “even in an unrealistic, worst-case scenario” the foundation would “still have $23 million in cash, pledges, and tax credits to cover $21 million in remaining hard costs.” It had a valid demolition permit, issued after Mayor Douglas Wilder took office, yet little work occurred. Months later, the Mayor began publicly asking questions. The stop work order was issued in August, seven months after construction was to begin and a month after the original demolition permit had expired. Why did the foundation allow this window of opportunity to close?

The result has been a vicious cycle of financial uncertainty followed by controversy that further feeds the uncertainty.

With no reopening date in sight, there is no practical reason for keeping this wonderful theater closed. The Carpenter Center should be quickly reopened and the planned expansion redesigned to minimize the time the center would need to be closed again in the future.

The VPAF has said many times that a major new theater would greatly help downtown Richmond. If this is so, then a much-delayed or permanently closed Carpenter Center would greatly hurt downtown.

–That the foundation absolutely owns the Thalhimers block.

We all know that the foundation currently legally owns the property. As with most things in life, however, there are no absolutes. If a family understands that they no longer may own their own home if it stands in the way of a needed highway, can the foundation say it absolutely owns the Thalhimers block if there is a greatly needed public use for it?

In the end, the above considerations are more important than the foundation’s goal of controlling its own destiny. And should be. No private group should have the final say concerning what our community does with a part of itself, regardless of the stature of the individuals involved. As individuals, we all have to leave someday. Only the community survives. As our personal legacy, let’s continue to work together to make Richmond the best it can be. I hope this is one assumption we can still make.

Turkeys

Tuesday, November 22nd, 2005

The Greater Richmond Convention Center will be empty on Thursday. That’s not news; there’s a reason it loses $4-5 million a year. It’s not because there’s not an arts center across the street, by the way—you need only read this report to know that the supply of convention center space in the U.S. far exceeds demand.

That’s why enlarging the Richmond convention center was such a dumb idea. Asking an empty building to spur economic development is a classic example of Richmond strategery.

So anyway, it’s more than somewhat galling to read that there won’t be a free Thanksgiving dinner at the convention center this year, because the group putting it on couldn’t swing the six large they needed to rent a facility that will otherwise go empty.

From the article:

The center’s general manager, Michael Meyers, said yesterday that he wasn’t aware of a request by Family of Friends for a special price concession but noted that it would have been difficult to accommodate.

“If we did that, what would we do about the 100 other charities, what do we say to them?”

How about, “Well, okay, nobody’s using it anyway”? Just a thought.

Martin Rust, Bitter Guy

Friday, November 18th, 2005

Mayor Wilder’s announcement Thursday of a new committee to study how best to get the Carpenter Center back in action elicited much unity, hand-holding and back-slapping from Richmond’s halls of power.

From developers:

Robin Miller said he remains bullish on downtown and doesn’t believe the arts center controversy is having any chilling effect on development. “I’m hopeful that a compromise will be reached . . . there’s just too much momentum going.”

From financial titans:

“It’s very positive, it gets us off the stalemate,” said James C. Cherry, Wachovia Bank’s regional chief executive officer, who has been a project backer because it could stimulate business at the Greater Richmond Convention Center.

“It’s an opportunity for a fresh look to say what is it we need, maybe we can come up with a better idea.”

“Wherever you go downtown, in every block, there’s a building being redeveloped . . . What happens to half a block, I don’t think makes any difference,” said S. Buford Scott, chairman of the brokerage firm Scott & Stringfellow and a member of the foundation board.

From legal behemoths:

Foundation board member Gordon F. Rainey Jr. sees the new committee as a breakthrough. “The most important thing now is to get the Carpenter Center rehabbed.”

And even from a certain grocery magnate:

With an agreement on the Carpenter Center, Ukrop said he thought fundraising would pick up. “I think we’ll have the confidence of the community.”

There was, however, at least one jayvee skunk at the picnic:

Executive committee member Martin J. Rust, market executive for RBC/Centura Bank, said he would not be surprised by additional resignations.

“It would be largely out of feeling that they can’t contribute to the process,” he said. “They’ve given all they can give. They signed up to raise money and build an arts center, not to get into politics.”

For followers of the arts center saga who have been saving up tossable rotten fruit lo these last few months, I present to you a most inviting target - Martin J. Rust. Perhaps no single individual other than Jim Ukrop and poor Brad Armstrong is more responsible for the gaping hole on Broad, the lights being turned off at the Carpenter Center, and the general pervasive acrimony than is Mr. Rust. As President of the Carpenter Center, Rust had the fiduciary duty to protect and further the historic venue’s interests. Here are some of his notable achievements:

1. Played a central part in forcing out Joel Katz. Katz was the only member of the VAPAF board with any real experience running a performing arts venue, and the only Foundation member courageous enough to blow the whistle on the organization’s poor planning, punk fundraising and profligate spending. Today, all of Katz’s criticisms have been borne out, and all of Rust’s allegations against him have proven baseless;

2. Signed over the Carpenter Center and all of its assets to the VAPAF. We can only assume that he never did the proper due diligence to see if the Foundation could make good on its promises - he would only have had to ask for a bank statement. Because if he knew how broke the VAPAF was, and still went along with the deal, well…that’s another thing entirely;

3. Allowed the VAPAF to blow through the Carpenter Center’s $3 million+ endowment in a matter of months without ensuring that the money was actually spent on the Carpenter Center. Among the matters that need to be looked into more closely is the $8.6 million the Foundation spent on architectural and engineering plans for the new PAC. Where did all of this money end up? As for the plans themselves, my guess is you’d be lucky to get $37.50 for them now on Ebay.

So, when bitter-guy Rust and his friends threaten to resign from the VAPAF board because they “can’t contribute to the process” anymore, perhaps we should all breathe a big sigh of relief.

We’d like to thank the Academy…

Friday, November 18th, 2005


This thing looks so awesome on my piano.

FOR IMMEDIATE RELEASE
Nov. 18, 2005

Andrew Beaujon and Don Harrison of Save Richmond have been named this year’s winners of the Laurence E. Richardson Freedom of Information Award.

“This recognition is given by the Virginia Coalition for Open Government for [Save Richmond's] efforts in rooting out financial information about the Virginia Performing Arts Foundation,” wrote Frosty Landon, the executive director of the coalition, in a letter announcing the award.

“Our judges were impressed with your aggressive use of the Freedom of Information Act to obtain financial documents and correspondence,” from city and state agencies regarding the arts foundation, Landon wrote to Save Richmond.

Landon and the VCOG also commended Harrison and Beaujon for “seeking a detailed opinion from the Office of the Freedom of Information Advisory Council that helped underscore the continuing confusion over the state’s disclosure rules for nonprofits that receive significant public funding.”

The Richardson award, named after a long-time Charlottesville broadcasting executive, is presented each year to individual Virginia citizens who demonstrate outstanding efforts to advance Freedom of Information in the Commonwealth; Harrison and Beaujon accepted their awards at the VCOG’s annual dinner last night in Lexington.

It was through Save Richmond’s efforts that Virginia taxpayers were finally able to see a bank statement and other pertinent documents from the Virginia Performing Arts Foundation (VAPAF), a private organization building a performing arts center to be funded largely from increased Richmond meals tax revenues and state tax money but shielded from public oversight.

“We’re honored and humbled by this award,” said Save Richmond’s Beaujon. “We hope if our work has a legacy, it’s that business and civic leaders in Virginia will realize the importance of transparency and open government, and that average citizens know that the tools for reminding them of that–weblogs and FOIA requests–are inexpensive and easy to use.”

Since its creation in 2003 as a watchdog group and daily weblog, Save Richmond has argued against the use of public funds for a project that was never independently studied; the group has also advocated for increased community input into the VAPAF’s $100-million-plus project and has pushed for a more prominent role for city performing artists and knowledgeable arts administrators in the venture.

No More Booty

Thursday, November 17th, 2005

Well, you know what they say about the calm exit strategies often employed on rapidly sinking ships.

FOUR QUIT POSTS AT ARTS FOUNDATION
BY WILL JONES
TIMES-DISPATCH STAFF WRITER

Nov 17, 2005

The Virginia Performing Arts Foundation took another hit when four of its leaders announced resignations and one withdrew money he had pledged for a downtown arts center.

Beverley W. “Booty” Armstrong and John Sherman Jr. stepped down this week from the foundation’s board and executive committee.

Armstrong, the foundation’s treasurer, said he has canceled his family pledge, which according to a foundation report totaled at least $250,000. One foundation source understood the pledge to be at least $1 million.

Also leaving the foundation’s staff are Michele Walter and Judy Ford, longtime deputies to departing President Brad Armstrong.

The changes come as Mayor L. Douglas Wilder plans to announce today more details about a committee he formed to look at the future of performing-arts venues in the downtown block formerly occupied by the Thalhimers department store.

Booty Armstrong said yesterday that two family foundations voted Monday to withdraw their pledges to the arts-center project, which has included a renovated Carpenter Center and new music hall.

Mr. Ukrop, bless his heart, keeps the faith.

“Really, we’re more in a shifting mode,” Ukrop said. “I’m confident. We’ve got a great executive committee. We will move on. With the committee the mayor’s put together, we’re excited where we’re headed.”

But he’ll be heading there without the formidable Mr. Booty. It’s hard to believe that there will be no more Booty. He’s taking his sizable donation and going home and Save Richmond will miss him, truly. In his way, the Foundation treasurer was the perfect, living symbol for everything that was wrong with the VAPAF’s top-down, unstudied plan.

For instance, his exit line in today’s T-D article by Will Jones is classic. It should also be instructive to those who were under the impression that the project Booty was hawking all these years was about the arts — or the “children.”

[Armstrong] also said his interest in the project has waned since emphasis has shifted toward renovating the Carpenter Center and away from building a music hall on Broad Street, between Sixth and Seventh streets.

“My original interest stemmed from a desire to redevelop the area surrounding the convention center, to try to make the convention center itself a success,” he said.

This story has been filled with numerous accusations , group hugs and naked power grabs… and that’s just in the past week. But even after the defections and all the ongoing revelations, the Richmond arts community —non-profit and otherwise — finds itself right back where it started.

Yes, today is when we will learn who will be selected to sit in the back breakroom of Ukrop’s and help the powers-that-be figure out how to salvage the sinking infrastructure of another downtown shipwreck.

Oh yeah… and the arts.

Hmmm….

Friday, November 11th, 2005

FOR IMMEDIATE RELEASE CONTACT: Linwood Norman
Friday, November 11, 2005 646-0434

MAYOR APPOINTS COMMITTEE
ON THE PERFORMING ARTS

Mayor L. Douglas Wilder will appoint a committee to be tasked with addressing the City’s long-term performing arts needs at the Carpenter Center and the Thalhimer’s block on Broad Street.

The committee will have nine members, including Jean Boone, Tom Farrell, David Fiske, William H. Goodwin, and James Ukrop. The Mayor will be announcing the other members shortly.

“I have wanted to be able to support a realistic endeavor to accomplish the stated ends and am pleased we have been able to come this far,” said Mayor Wilder.

Foundation Chairman James Ukrop concurred, stating that “We are confident that this committee will find exciting and realistic ways to make our vision a reality. A city as rich in culture and history as Richmond deserves an unparalleled venue to showcase its unique collection of performing arts groups. We owe it to our region’s many talented artists and the generous patrons who support them to work together constructively in creating a performing arts center we can all be proud of.”

Under Phase One, members of the committee will focus on the future of the Carpenter Center. Included in its analysis, the committee will review the outstanding request from the Virginia Arts Foundation for reimbursement of $4.4 million in expenses (along with its supporting documentation) and will determine the feasibility of any payment thereon. Nothing herein or hereafter to be considered by the committee is intended to preclude the Foundation from complying with the building code of the City as may be applicable. Under Phase Two, committee members will consider how best to make use of the balance of the block bounded on Broad at 6th and 7th Streets for the performing arts. The committee will make an interim report by no later than May 1, 2006 with a final report by no later than Dec. 31, 2006.

Any agreement arrived at through the recommendations of this committee will take precedence over any and all other understandings between the City and The Foundation.

In the interim, the foundation has agreed to landscape the block, consistent with construction needs, which will be held for public use.

Consultant overcharges for bad advice

Friday, November 11th, 2005

I’m strangely comforted that someone was paid half a million dollars to come up with this plan. It reminds me that in America, there’s nothing separating a guy who has no idea what he’s doing from a comfortable living, as long as he can hold his own at meetings. And that is what I aspire to.

Shock and Awwww…

Thursday, November 10th, 2005

Martin Rust and his fellow VAPAF board members are shocked — SHOCKED, they say — to learn that a large, nearly 80-year-old downtown building that has been abandoned and unusued for eleven months would subsequently have — gasp — some building code issues!

The top ten other things that the well-heeled robber barons on the Foundation’s board simply CAN’T believe:

10. If you leave a carton of milk out for a week on the kitchen counter, it will spoil.

9. Eating asparagus makes your urine smell weird.

8. Sique Sique Sputnik aren’t in the Rock ‘n’ Roll Hall of Fame…. yet.

7. Pounding on a ripe banana with a hammer will alter its shape somewhat.

6. Tax cuts for the wealthy aren’t so popular with many of the non-wealthy.

5. The world is not flat.

4. Ben Affleck was unable to capture a Best Actor Oscar for his work in Gigli.

3. The South has yet to “do it again,” despite Charlie Daniels’ best efforts.

2. Dogs and cats don’t always get along.

1. High-profile Richmond businessmen — even those who have errand boys in high places — must adhere to city building codes that affect (and sometimes close down) restaurants, nightclubs and art galleries on a daily basis.

You live and you learn, folks.

Fire in the hole?

Thursday, November 10th, 2005

“You’ve got a fire trap at one end of the block and a hole at the other,” said Paul Goldman, Wilder’s senior policy adviser, referring to the excavation for the new music hall the foundation hopes to build next to the Carpenter Center.

“Obviously the Carpenter Center has been allowed to deteriorate,” Goldman said. “It’s like, if you don’t do it our way, we’ve set it up so you can’t do it any other way.”—“Inspection says Carpenter Center is a fire hazard,” Times-Dispatch, November 10

The first part of that quote is the fun bit, but it’s the second that indicates where the city’s going with this argument. Now, none of us have any experience with fire hazards other than avoiding them (we try to keep Don’s eyebrows far from open flame, for instance).

But what we do have experience with is being asked, “Well, what do you suggest instead?” when we’ve said the performing arts center is poorly planned. As if the only choice were between another half-assed, publically financed building downtown and nothing at all.

Well, I don’t see the difference in this case, and anyway, I’m of a political stripe that would prefer to see the free market answer the question of what should happen downtown. (It’s telling that the only blocks of Broad between Belvidere and 18th St. that are free of all progress are the two the city’s worked hardest on.)

No, Goldman’s nailed the problem with the arts center when he said the attitude of the Virginia Performing Arts Foundation is “if you don’t do it our way, we’ve set it up so you can’t do it any other way.”

This “we know best” management-style used to work in Richmond. For a long time, Brad Armstrong was telling people in community meetings that the reason a bunch of businessmen were in charge of the future of Richmond’s performing arts was because they knew how to raise money.

Gosh, imagine how bad things would be if amateurs had been involved! Armstrong still has some true believers, like Councilman Manoli Loupassi, who refuses to believe that VAPAF was in any trouble at all before Doug Wilder set to meddlin’. That’s why the private sector was involved,” he told the paper, “to raise the money. If we just let them try to raise the money, they can raise the money.”

By the time the private sector funds the arts center, the Carpenter Center will have burned down. Because the sun will have fallen to the earth.

Something to do today

Tuesday, November 8th, 2005

We haven’t indulged in much political commentary at Save Richmond during this heated state election season, and for good reason. My political ramblings during last year’s mayoral race clearly show that I’m no reliable pundit (Charles Nance?) and I believe Andrew has to work out his Silver Persinger jones before he is able to pontificate further on electoral matters.

Some choices are obvious. In the 68th district where I live, I will finally get the opportunity to cast a vote against the cretinous wannabe-Footloose villain, Del. Bradley Marrs (R). I got a phone message from a Republican PAC extolling Marrs’ virtures yesterday. The cartoon himself appeared on the line and wanted me to know — as if his umpteen mass mailings hadn’t already informed me — that he was a man of Christian faith and that the issues that most concerned him were gay marriage and abortion and that he would appreciate… Click!

Hit the road, jerk.

As for the main ticket, I’m going to vote for Kaine-Byrne-Deeds. Yeah, yeah, yeah — I know that Tim Kaine has yet to take his measure of responsbility for the ongoing soap opera we’ve been covering here for more than two years. But Jerry Kilgore seems like a generic Republigoon; all divisive wedge issues, no vision — Jim Gilmore Lite (and we know what a solid leader Gilmore turned out to be). No thanks.

You might have a different view of things. But before you enter the booth today, I hope you’ll ask yourself the following five questions:

1. Do you believe that the Republican leadership in the U.S. Congress and the Oval Office has done a good job?

2. Do you want more of that savvy style of governance here in Virginia?

3. Are you generally happy with Governor Mark Warner’s performance?

4. Do you want the Warner economic polices continued or completely reversed?

5. How high or low do you rank social issues such as “gay marriage” and “abortion” on your list of state priorities?

Like I said: Seems obvious.

So go to the polls already…

Gee, and to think we were once down on that Supreme Court decision

Friday, November 4th, 2005

Wooooooooah.