Archive for September, 2007

City Council Theatre: Wilder’s ‘Clean Slate’

Thursday, September 27th, 2007

I am not aware of any time where a Mayor ordered such ‘regrettable’ action, where a chief administrator plotted in secret to prepare to implement such action, that a Police Chief had his or her men positioned to enable such an action to take place, and a respected Judge found such action so harmful that she had to issue not one but now two restraining orders, and the city’s academic, journalistic and legal power structure has not demanded that heads roll…. There has been a death at City Hall, if not in the soul of this town.” — Paul Goldman, “Death at City Hall.”

In today’s edition of “City Council Theatre,” we present a special guest appearance by the Mayor of Richmond, L. Douglas Wilder, in a performance that is either straight out of Shakespeare’s Richard III… or Christopher Walken’s psycho monologue in True Romance (it’s your call).

This featured footage of the mayor is from the evening of Sept. 10, when our Hizzoner offered up a verbal olive branch to Richmond City Council, offering to meet with them regularly, in front of the public, to talk about important issues (right after the CenterStage vote, of course), and promising to “wipe the slate clean” as far as all the bad feelings between his administration and the legislative branch of the city. Then he practically challenged 3rd district rep Chris Hilbert to a fight before concluding that they should leave the schools matter to the courts.

This “Journey to the Center of Doug’s Mind” is presented here in three parts:

1. Wilder: 15 Months Left
2. “Agendas”: What is Ellen Robertson Talking About?
3. Doug Vs. Hilbert: Let’s Get It On

As we know now, the Mayor’s “clean slate” was more of a nuclear strike. A week later, the office of the same Doug Wilder would accuse Council President Bill Pantele of surfing porn on a city computer, assert a questionable hiring and firing power over council aides, and kick the school board out of City Hall — more than a week before the deadline he set for them to leave. When a judge temporarily blocked the Mayor’s move and ordered the school administration back to City Hall, it touched off a legal firestorm where both the school board and the city council began suing the mayor. “Richmond was under attack,” Pantele thundered on Monday night in council chambers. “The mayor said two weeks ago that he doesn’t start fights, but he doesn’t run from them. Well, I’m not either,” Councilman Chris Hilbert echoed, while his fellow rep Bruce Tyler called the Mayor’s tactics, “guerilla warfare.”

That sound you aren’t hearing right now is schools being renovated and built. Or infrastructure being fixed.

The result of last Friday’s actions against the schools? As the Times-Dispatch reports this morning, “Circuit Judge Margaret P. Spencer yesterday extended the school administration’s safe haven in City Hall until Nov. 30 after finding that the aborted eviction Mayor L. Douglas Wilder ordered over the weekend caused substantial harm to the school system — including its students and employees.”

Wiping the slate clean, eh?

[For those who prefer their schizophrenic public pronouncements set to music, we present this special video "remix" of the Mayor's performance that night. Accompanied by the music of Big Fish, "Work Together" is the latest in a series of civic remixes presented by the mysterious (and prolific) DJ Fundraiser Flex.]

* * * * *

Previously, on the fully-downloadable “City Council Theatre”:

Bill Pantele In All His Unedited, Vote-Rushing Glory
Ellen Robertson’s Hopes For Harmony
Delores McQuinn: “A Rush Job”
Let’s Get Bizet: The Wit & Wisdom of Marty Jewell
Bruce Tyler Wants Answers
Art Burton’s Ticking Time Clock Problem
Silver Persinger Would Like The Full Six Minutes
“Pantele — The Bosnia Remix” by DJ Fundraiser Flex
“Pantele — Make It Work” by DJ Dom DeLuise

Bill Pantele’s Fundraising Frolics

Wednesday, September 26th, 2007

The real tough question we have to ask ourselves about L Douglas Wilder and his clearly unhinged behavior over the past two weeks:

What’s the alternative?

Mayor Bill Pantele?

It’s a question that seems to be dividing even the behind-the-curtain bigwigs who collectively serve as the real “boss” of Richmond. [Incidentially, what a stroke of good fortune — what a miraculous and totally coincidental happenstance — that the business community somehow got their arts center on the City of the Future docket and funded BEFORE all Hell broke loose at City Hall. It's almost as if they knew... nah, couldn't be.]

For instance, arts center booster-at-large and “Gang of 26″ member Jim Ukrop currently sits on the sidelines while chaos reigns in the city he professes to love— a crisis in city schools must be just great for business — and is sidestepping any meaningful criticism of his new friend Wilder.

But one of Ukrop’s compadres at the Virginia Performing Arts Foundation is letting his freak flag fly. He’s staying loyal to the enthusiastic councilman that pushed and rushed the arts center funding through; the good soldier who made sure that CenterStage’s financial details would remain shielded from future taxpayer oversight.

On that note, Save Richmond presents a brand new segment… “Fundraising Frolics”:

Here is the invitation for the $100 a ticket fundraiser for Bill Pantele’s mayoral bid, sponsored by the Friends of Bill Pantele. The fundraiser is planned for Plant Zero tonight.

Check out the host committee. See any interesting names?

Yes, that Bob Mooney, the outgoing president of the Virginia Performing Arts Foundation; the man who wrote the “comprehensive agreement” that binds the city to a $50+ million compact over 40 years; the behind-the-scenester who claimed CenterStage had to pass quickly because of those heinous “subcontractor issues” (Pantele eagerly concurred with his fundraising host, as you can see here).

That’s what it is all about in Richmond: You scratch my back, I fund your arts center…

Among the luminaries joining Mr. Mooney tonight, you’ll find the developers of Vistas on the James, a project that Pantele and others have awarded a boatload of subsidies.

… and let’s not forget David White of SWA Architects/Historic Housing LLC. … who is partners with the recently incarcarated (for bribing councilwoman Gwen Hedgepeth) Louis Salomonsky.

Should a great shindig with lots to talk about.

Some suggested conversation starters: 1.) What’s going to happen at Thursday’s downtown master plan meeting… 2.) The court decision today… 3.) The current conditions in “Bosnia”… 4.) Oh, those terrible, terrible subcontractors (whatever will we do with them?).

Goldman: “Just Imagine…”

Monday, September 24th, 2007

We were wondering when someone would bring this up.

Where are the Gang of 26? We heard a lot from our Titans of Industry a few weeks back. Where do they stand on the issue of Doug Wilder’s Friday coup d’ιtat? Pro or con, where’s that letter?

Leave it to Paul Goldman, at his NBC12 blog, to frame the question in an interesting way. And ask a whole lot more. Go Paul Go!:

Let’s assume Henry Marsh has been elected of Richmond in 2008.

Imagine that Mayor Henry Marsh and his aides then spent most of his third year in office claiming, without ever offering any proof, that they could save $1,000,000 in the next 12 months by throwing Jim Ukrops and the Arts Foundation Board out of the modernized Carpenter Center. Assume the City Council passed a law forbidding Mayor Marsh from doing it. But Mayor Marsh and his staff didn’t care what the City Council, Mr. Ukrops, Gene Trani, Bob Farrell, Bill Godwin or had to say. After all, Mayor Marsh said: I gave them 25 million to build the Arts Center. The City owns it. No one can tell me who has to stay in my building.

Imagine further that Mayor Marsh and his staff had made sure the Richmond police were on hand to threaten innocent citizens with arrest in order to basically enable their private Moving Army, appropriately clad in leotards, to take confidential files, documents and equipment of the Arts Foundation out of the Carpenter Center in the dead of night in direction opposition to a city ordinance. When Mr. Ukrops and his board showed up, they were humiliated by the police in front of the news media.

Imagine further still that Mayor Marsh had been so dismissive of an existing local law that a Richmond Court Judge had to get out of bed around midnight to go issue an extraordinary order telling Mr. Marsh to cease and desist immediately, or face possible arrest by the Richmond Sheriff’s office.

Imagine…no, I take that back. There is no need to imagine anything.

Why? Because anyone who has lived in Richmond for even a few weeks, and prides him or herself on having any personal integrity, doesn’t need to be told the reality of what would happen next.

The Richmond Times Dispatch would be out with an lead editorial today, calling such a raid on the offices of Mr. Ukrops, and the demeaning way he and his colleagues were treated, as totally unacceptable in Richmond. They would call Mr. Marsh a disgrace to the city, and demand the immediate firing of all his aides who were part of making Richmond to be the laughing stock of Central Virginia. Ross Mackenzie, their star columnist, would of course go further, calling on Mr. Marsh to be impeached, preferably without a trial, demanding that city taxpayers not be required to pay for a single dime of any of the wasteful expenses connected with Marsh’s “Operation City Hall Freedom.”

The Richmond business community would be calling on the Governor to take-over the city to stop this waste of money and abuse of power; saying it would now be impossible to get businesses to relocate here. Indeed, they would soon play Martin Luther, tacking a 17 point manifesto to the door of City Hall calling on the General Assembly to pass a law returning Richmond to the appointed Mayor system of government.

The city managers and Boards of Supervisors in the surrounding areas couldn’t reach the microphones fast enough to call Richmond the laughing stock of the South.

The City Council would be calling for the creation of a Special Investigating Committee, with subpoena power, to get the full facts on “Operation City Hall Freedom” and report the findings to the public. My own councilman, Bruce Tyler, would be leading the way, along with Kathy Graziano.

The big law firms in town would be demanding that Judge Spencer [throw] the book at Marsh.

The phony $1,000,000 claim would be exposed in detail in big print on the front page of the RTD. The business community would pay to mail a copy of the RTD analysis to every citizen of the city.

Yow! Read the rest here…

Speaking of which, here is footage from the CenterStage vote that adds a little foreshadowing to Friday’s events at City Hall. We see Ellen Robertson’s optimistic thoughts about future conciliatory relations with the mayor as she casts her “yes” vote to fund VAPAF. Uh-huh. For someone voting in favor of the “deal,” she sure takes a lot of time explaining why the 50+ million arts center isn’t a priority for the city. Wonder what she thinks today…

And here’s Delores McQuinn, agonizing over her decision… and wondering where all the banners and balloons are. (She eventually abstained, calling the affair, “a rushed vote”).

And we don’t want to beat up on a man while he’s getting his hardware inspected (if you know what I mean), but here’s another Bill Pantele video remix, “Make It Work.” It was emailed to us by a mysterious “DJ Dom Deluise.” You gotta laugh to keep from crying, folks.

Crisis at City Hall

Sunday, September 23rd, 2007

Things go from bad to worse with the Mayor’s “coup d’ιtat.” Style Weekly — three cheers for the real-time web coverage! (where are these guys?)— has the update:

City Charter Crisis Looms As Judge Orders Movers Return
by Chris Dovi

A city charter power crisis looms over Richmond after Mayor L. Douglas Wilder staged the local government version of a military coup d’ιtat Friday — an orchestrated attack on city schools administration, City Council staff and the personal habits of City Council President William J. Pantele.

In the process, Wilder appears to have violated state and federal law and least one court injunction.

Putting into action months of threats, Wilder began Friday his eviction of Richmond Public Schools from City Hall only to be stopped at midnight by a court injunction issued by the same judge who recently ruled that City Council could sue him.

Hours after city-contracted movers loaded a half-dozen trucks with files and furniture in a controversial eviction of city schools administration from City Hall, Richmond Circuit Judge Margaret P. Spencer ordered a temporary restraining order.

At about 2 a.m., the movers were unloading the trucks and moving city schools belongings back into City Hall.

“I’m satisfied that [Richmond Police Chief Rodney Monroe] is going to comply with the order,” State Sen. Henry Marsh, R-Richmond, told reporters gathered outside City Hall at 1:50 a.m. Marsh, a lawyer, is the School Board’s legal counsel.

A caravan of more than a dozen moving vans with moving firms contracted by Wilder’s administration began pulling up in front of City Hall promptly at 7 p.m. on Friday evening. At the same time, Richmond Police officers cordoned off the building and, in some cases, forcibly denied access to media and the public arriving to attend an emergency School Board meeting being held on the 17th floor.

Shortly after 7 p.m., School Board member Carol Wolf emerged and attempted to force police to acknowledge state law and the public’s right to attend the public meeting being held upstairs. While attempting to escort this reporter, a reporter from the Richmond Free Press and a private citizen into the building, Wolf was surrounded by Richmond Police officers and brass, who angrily demanded she back down. Threatening to arrest her, they pressed closer attempting to use their physical size to force her to back down.

“Go ahead, arrest me,” Wolf retorted in a loud, firm voice. Feet planted, she stood her ground against the officers, who didn’t take Wolf up on the offer.

“Who’s going to uphold the constitution and the rule of law in this city?” asked Sababu Sanyika, a resident who also attempted to enter City Hall to attend the School Board meeting. He was turned away by police threatening to arrest him. Sanyika, standing toe-to-toe with an officer blocking his way said simply: “I would not want to be in your shoes, for nothing.”

Moments later, a reporter from the Richmond Times-Dispatch was threatened with arrest by a police officer brandishing handcuffs and physically guiding her down the sidewalk.

Read the rest here.

And, also courtesy of Style, we find out what the mayor had to say today about his controversial actions, and the looming legal implications.

“If I don’t have the authority, the courts will say [so]“

Paul Goldman, the mayor’s former assistant, writes that that it is Wilder’s image that is at stake now. At his blog over at NBC12, Goldman says:

Even if he wins all the court battles, he has now had the biggest headlines since winning election: and I defy anyone on his staff to explain to me how Doug Wilder’s image is better now than it was at the start of the year…

On education, he has ceded the high ground to Dr. Sherman and Mr. Braxton if they can take it. On the issue of law and order, not to mention stopping waste and inefficiency, he has ceded the high ground to Councilman Hilbert and his colleagues if they can take it.

Read Goldman here.

And Then He Danced

Saturday, September 22nd, 2007

I know I’m not the only one to make this point, but who needs a $50+ million performing arts center when you’ve got a classic tragedy / farce happening right in front of your eyes.

Quite a day, yesterday: First the Mayor accused the City Council President Bill Pantele of surfing for porn on a city computer, and announced that all of council’s aides have to reapply for their jobs (this, despite a pending lawsuit that has not settled what has become a contentious issue).

Later in the day, Mayor Wilder and his surrogates forcefully removed the school administration out of City Hall on 45 minutes notice and began moving their stuff — more than a week before the deadline he set for them to split — and kicked the press out of the building after the school board insisted on holding an emergency meeting… which is (actually) a no-no.

Then the Mayor went down to Shockoe Bottom and danced.

Less than two weeks ago, Wilder called on the council to work with him instead of fighting him. “I’m willing to wipe the slate clean,” he said.

The council is scheduled to meet publicly with Wilder on Oct. 1.

Despite the turmoil at City Hall, Wilder was lighthearted at last night’s dedication of the new Plaza at Main Street Station, shimmying in front of the band and sporting a blue glowstick around his head.

Later, with a 6-inch-wide band of red, glowing tape around his shoulders, he joked with the crowd: “I am bit of a target tonight. I better take this off.”

Funny? Well, yes. Until you consider the longterm consequences of Wilder’s Friday Purge. For example, does anyone in their right mind seriously think these people are going to come together now to build new schools? Nope. It’s going to be lawsuits, distractions, accusations and pie-throwing for the next fifteen months.

And all so the mayor could show us his balls. What’s worse is that it reeks of the kind of looney-tunes Totalitarian strongman stuff you’d find in some place like, oh, Bosnia or somewhere.

“Bosnia” — The Bill Pantele Remix

Friday, September 21st, 2007

Pantele \"Bosnia\"Pantele \"Bosnia\"Pantele \"Bosnia\"

Ask any professional deejay: It’s all in the source material.

I’m sure the mysterious DJ Fundraiser Flex (if you can find him) would agree. This shadowy musical beat-master sent in a special video deconstruction of Bill Pantele’s “performance” last week at city council that should go right straight to the top of the charts. But, really, how can you go wrong with source material this strong?

Ladies and gents, we present: “Bosnia — The Pantele Remix.”

Today’s selection is the latest, and most tuneful, installment in our ongoing series, “City Council Theatre.” BTW: Deejays and amateur mashup artists are free to download previously-featured episodes of “CCT” (episode links below - special thanks to MC Burgermeister) and create their own remixes of one of Richmond city government’s foulest acts in recent memory. Even though citizens were unable to see what legislators were voting on the night that council gave $50+ million to a private foundation — and will be unable to scrutinize the future financial details in the future — there’s nothing that says we can’t make a dance craze out of it. Doesn’t anyone remember the “6th Street Marketplace Shuffle”??

[For viewers and downloadists who prefer the complete and undiluted jank, reruns of the Sept. 10 council meeting — complete with a bizarre appearance by Mayor Doug — will be rerun for a few more days on Richmond's public access channel — Ch. 17 on Comcast. As they say: You'll laugh, you'll cry.]

You might recall that the infamous 2003 city council meeting that saw Richmond raise its meals tax for the Arts Foundation inspired a previous underground classic. Video artist Powlagua’s ethereal “Roots of a Hole in the Ground” introduced a generation of Richmonders to their city government’s unique definition of the term, “Feet to the Fire.”

Compliant and sleepy city council… a rushed vote for the good of the business community… appointed mayor and dominant city manager. Quid pro quo deals and indicted councilpeople. Sigh. Those were the days.

Previously, on the fully-downloadable “City Council Theatre”:

Bill Pantele In All His Unedited, Vote-Rushing Glory
Let’s Get Bizet: The Wit & Wisdom of Marty Jewell
Art Burton’s Ticking Time Clock Problem
Silver Persinger Would Like The Full Six Minutes

…. and as a bonus, only on Richmond’s most revealing/depressing internet video resource:

Bruce Tyler Wants Answers

Update 2:30PM: Our council president’s burgeoning alternative music career might have hit a wee bit of a roadblock this afternoon. First R. Kelly and now Bill Pantele… tsk, tsk.

City Council Theatre: Bill Pantele Unhinged!

Wednesday, September 19th, 2007

As an instructive introduction to today’s episode of “City Council Theatre,” we feature Scott Bass’ masterful words in the latest Style Weekly as he explains the complicated backstory behind the exciting footage you are about to witness.

Excerpts below. Emphasis mine:

It’s a simple question, really, fundamental to every business executive and entrepreneur considering a new venture: What is the return on investment? In the debate over the performing arts center, which City Council approved the funding for last week, the question has been avoided, dismissed, ridiculed even. “It was never going to make money, we always knew that” has been the consistent message from the business and political leaders who proposed and started the push for the arts center in earnest more than nine years ago.

So there was never an attempt to make such a case to the public. In fact, the public was never asked to formally approve or disapprove the project, which some estimate will wind up costing the city upward of $50 million. One can argue that City Council members and Doug Wilder, elected with nearly 80 percent of the popular vote in 2004, are representing the public’s desires seeing that this is, after all, a representative democracy. But years of infighting and instability have followed the now-approved arts center. It’s never had broad public support. In fact, the project seemed destined to mark the end of the business community’s de-facto city planning reign when Wilder took office in 2005.

Wilder, in no uncertain terms, promised to end the behind-closed-doors decision-making that led to the Greater Richmond Convention Center, 6th Street Marketplace, the Broad Street Community Development Authority and, at the time, the struggling performing arts center project. “To raise money for the arts center? That’s not my priority,” Wilder told Style in 2005. “[I'm] continuing with the theme I started when I was governor: The necessities before niceties.”

In fact, Wilder was fond of saying the people elected him to close the chapter of Richmond Renaissance and self-appointed business leaders running the city: People wanted more attention focused on education, public safety, the little things that make the city a better place to do business. That was also the message during the city’s recent weeklong series of downtown planning sessions, wherein the public was engaged to weigh in on Richmond’s outdated “master plan.” There was one consistent theme to emerge from the meetings: focus on the basics, better sidewalks, public safety and educational facilities. There was no outcry for an arts center.

Never has been. The last true survey done to gauge public support for infrastructure projects is nearly 10 years old. In 1998, the Center for Public Policy at Virginia Commonwealth University was hired by a consortium of local civic groups to survey and gauge public support for a variety projects that could improve the region: educational facilities, sports stadiums, transportation initiatives. The public would be asked, via referendum, to then approve a one-cent sales tax increase to pay for it all.

Most every cultural and civic group participated in the brainstorming sessions dubbed MAPS, which stood for Metropolitan Area Projects Strategies.

VCU’s polling found 45 percent of those asked said they would support a tax hike for projects related to public safety, education and technology. But “arts-related” projects ranked near the bottom. Robert D. Holsworth, former director of the Center for Public Policy who is now dean of VCU’s College of Humanities and Sciences, analyzed the data and found only “small pockets of support” for arts-focused initiatives.

Despite the research, the plan for a new performing arts center was the only initiative kept alive after the MAPS idea dissipated due to a fiercely anti-tax General Assembly.

Richmond Renaissance took the baton, and the arts center plan eventually grew into a massive $168 million Broad Street revitalization project. It would help the struggling convention center and breathe life into East Broad Street.

Wilder, who scuttled the $168 million version in 2005, did so because it was costing the city too much money. He appointed a committee of his own to present a scaled-down version, the current $58 million revitalization of the Carpenter Center on East Broad Street. But that proposal, it seems, will cost more than the original.

[Councilman Bruce] Tyler says he supports building the performing arts center, even at a cost to city taxpayers of $50 million, but says the annual city commitment of $500,000 to cover the center’s operating costs should be shared by surrounding jurisdictions. Moreover, he says, the city can’t afford to take on additional commitments without first weighing other priorities. The funding for the arts center will come from a hike in the meals tax, which also concerns Tyler.

As for the economic justification, the impact studies and the pro formas, fellow City Councilman Chris Hilbert, who abstained from voting on the arts center project last week, says it would have made more sense to give taxpayers more time to weigh in. On Sept. 10, the majority of council and Mayor Wilder were unwilling to wait, even in the absence of key financial documents.

“I thought it was a disservice to the project not to engage the public,” Hilbert says, adding that the original argument for the arts center was to revitalize Broad Street by putting the grand stage on the former Thalhimers site. “This project will not fulfill that goal.”

A consultant working for CenterStage, the group that developed the new plan, recently informed City Council that an economic impact study estimates Richmond will see somewhere between $800,000 to $1.3 million a year in sales and meals taxes, parking fees and other arts-center-related purchases. The city estimates admissions taxes to come to about $400,000 a year.

Yet the documents that back up that assertion weren’t part of the recent presentation to council. The only impact studies that have been released for public inspection date to 2001 and 2003, when the earlier version was in place. And those studies have been widely criticized, partly because they were based on usage of the arts center by the main tenants, the Richmond Symphony, Richmond Opera and Richmond Ballet, which had yet to make commitments to the project.

Both Tyler and Hilbert say they haven’t seen any economic impact studies, or detailed financial pro formas for the arts center. Except for the earlier studies, neither has City Council President Bill Pantele, who is perhaps the project’s biggest supporter on council.

(Phone calls to CenterStage for updated economic data weren’t returned.)

And on that note…

Ladies and gentlemen [cue lights]: Our Featured Attraction.

…. He thinks giving $50+ million to a private entity that spent $22 million to build a hole in the ground will help to stop downtown Richmond from being like “Bosnia”… (read that again)…

…. It was he (sez he), along with his fellow Virginia Performing Arts Foundation board members, who should be thanked for the restoration of the National Theatre…

This is a leader who is sick and tired of people armed with “facts” who hold Richmond back … he says the problem around here is there’s been too much broad consensus building and calls for “documentation” and not enough straightforward “doing”

Citizens of River City, we present β€” live on tape from last week’s rushed CenterStage vote β€” the Big Boondoggle’s bagboy on council…. the man who said in 2003 that VAPAF’s meals tax hike was “temporary”… the legislator who was appointed to the Arts Foundaton board in 2005 to provide oversight and failed to attend meetings… the Venture Richmond insider who is not amused by downtown “country and western punk rock” concerts, yet always loves a good “party patrol”…a lawmaker constantly besieged by Richmond residents who argue for “more blight,”… a man who is deathly afraid, oh so frightfully afraid, of fictitious “subcontractor issues”:

2nd District Councilman, and City Council President, Bill Pantele.

Along with a very special guest appearance, only on today’s “City Council Theatre”… (see previous episode here)

This dapper legislator was once a very vocal critic of the Virginia Performing Arts Foundation… but everything’s great now that L. Douglas Wilder says things are great… nothing more to see here, folks… no dog left in this cat, as it were…

He’s a passionate defender of Richmond’s “traditional culture” β€” 132 year old French operas…

Ladies and gentlemen, you’ll laugh and you’ll cry (mostly cry). Put your palms together for…

5th District Councilman and Doug Wilder drone, Mr. Marty Jewell.

Note to viewers: Have rotten fruit handy.

City Council Theatre: Art and Silver

Tuesday, September 18th, 2007

Our first two video clips from last week’s city council debacle come from the citizen comment period, where concerned Richmond residents Art Burton and Silver Persinger were among those who voiced their thoughts on the Virginia Performing Arts Foundation’s CenterStage project, and the rushed vote on a longterm $50+ million deal that council president Bill Pantele was engineering before their eyes.

[If you would rather watch the city council discussion on CenterStage in its entirety, you'll find the reruns of Monday's rushed vote broadcast this week at different times on Comcast channel 17. Tune in to see how your city government "does business."]

To my mind, Mr. Burton perfectly sums up the CenterStage situation: All the mayor and council seem to do is fight… but they can come together in perfect harmony to push through an arts center with public money as a gift to their respective campaign contributors. Setting priorities, indeed.

The comment by Mr. Persinger, a longtime council critic and watcher, not only spotlights many aspects of VAPAF’s project that the council and the city staff would sooner avoid talking about, it illustrates how City Council President Pantele condescends to those citizens who choose to participate in the workings of City Hall. (Thanks for the plug, Silver!)

Speaking of Bill Pantele, he had plenty to say too.

So stay tuned…

Dirty Deeds NOT Done Dirt Cheap

Friday, September 14th, 2007

“There’s not a heckuva lot of difference between this plan and where we were in Nov. ‘05… some of you in this room know that when the meals tax was first proposed, I opposed it. And yeah, I got my kneecaps broke and my elbow pulled out of joint but what really brought me around was the realization that this wasn’t just a music facility… this was part of a bigger vision to have the kind of Broad Street and downtown that will make us proud.” β€” Richmond City Council president Bill Pantele, at Monday’s council meeting.

Mayor L. Douglas Wilder said the pattern over time has been for power brokers to take advantage of a system under which elected officials β€” the City Council β€” were relatively weak and instead go directly to the appointed officials who really could get things done. A lot of what the power brokers wanted were big projects: the Greater Richmond Convention Center or the 6th Street Marketplace. Particularly galling to Wilder was the idea that the public should pay for pet projects and that it is best to work the deals out quietly, to develop a consensus. “Forge consensus! You don’t forge consensus, you win consensus by going to the people,” Wilder said. “I’ve always believed in going to the people.” β€” “They Run Richmond,” Richmond Times-Dispatch, Aug. 14, 2005

A couple of folks have asked why we haven’t updated the site since Monday night’s CenterStage vote at city council.

There was no need. The dirty deed was transferred almost exactly as it was diagrammed here on these pages five days ago. And, as expected, it was not a Dirty Deed done Dirty Cheap. In fact, your grandchildren will still be paying for this particular AC/DC song. Richmond has now entered into a Faustian bargain with a private and secretive corporate entity that has already burned the city numerous times. And the only hope we have is that council somehow finds the cajones to amend some of the most egregious clauses in the agreement before it goes into full effect.

That’s not to say there weren’t surprises on Monday night. One of them was the tireless work of a first term city council member named Bruce Tyler.

Yes, that’s right β€” the candidate for the 1st district’s well-heeled “business community,” the novice politician who was all but placed in his position by the high rollers behind the Virginia Performing Arts Foundation (VAPAF), disparaged and downplayed on this very blog for questionable campagn tricks β€” that Bruce Tyler. He showed here that he is a standup guy.

We also saw some shameful performances. Councilmember Marty Jewell attempted to explain (feebly) why he was voting for the measure after being so opposed to it in 2003 when he was a private citizen (Marty had righteously called opposition to VAPAF, “a moral vote”). This is the same Marty Jewell who said this to Richmond.com in 2005: “The fact of the matter is we have decades of history in which the financial elite of the City have used their clout to leverage public dollars for private projects of their choosing.” On Monday, he chose to hold that thought aside and closed with ruminations on Bizet’s “Carmen.” It was that kind of explanation.

Ms. Ellen Robertson pontificated wildly on why she didn’t think an opera house was a top priority for the city (but she was voting for it anyway). She closed with hopes for the children. Reva Trammell also voted “yes” for the children β€” or, rather, the one child who was presented to speak on behalf of the Foundation. Kathy Graziano voted “yes”; even though she had reservations about the plan, she didn’t think that council should be a negotiator (huh?). Meanwhile, Doug Conner from the 9th district was falling asleep during most of the hearing just like the former 9th district rep, Eugene Mason, used to do. He voted yes “for the children” too, as if you couldn’t guess. All in all, if these folks had been performing in a high school production of Invasion of the Body Snatchers, they would’ve been booed off the stage.

Bruce Tyler’s efforts really stood out. He struggled hard to get basic answers out the city’s would-be CFO Harry Black and VAPAF’s Bob Mooney, and to persuade his fellow council members to either amend the CenterStage agreement as written by the Virginia Performing Arts Foundation, or to postpone the vote so that council could get more input from their constituents. Although the votes weren’t there for those motions, he stuck to his guns and was the only councilperson to vote “no” to the measure. Voicing many of the same concerns were councilpersons Hilbert and McQuinn, who each abstained. The former asked tough questions about the longterm financial figures he was reviewing and not making sense of (walk a mile in Save Richmond’s shoes, Mr. Hilbert!), while the latter noted the sparse attendance by the Virginia Performing Arts Foundation contingent huddled together in council chambers. She said she missed the balloons and the wall-to-wall children from 2003. The final rollcall saw six votes out of nine pass the agreement.

Bruce Tyler didn’t have to do what he did, so I believe we all witnessed an act of political courage, rare for Richmond and almost unheard-of by our city council, who have now voted to enable the private VAPAF three times, and have looked the other way time and again as the rich and influential members of the Foundation board frittered millions in tax dollars away on excessive salaries and punk building plans.

But the 1st district councilperson’s efforts were all for naught. City council, led by chief VAPAF succubus Bill Pantele, not only wrote VAPAF a forty-year blank check, they made sure that the news media and “pesky bloggers” would not get access to future information on where public dollars are spent by refusing to amend a provision that forbids Freedom of Information Act disclosure of CenterStage. That should tell you something about priorities.

If you want to get a firsthand look at those priorities, and watch a real horror show on the telly, you should tune in to the reruns of the City Council meeting that will be broadcast over the next ten days on Richmond’s public access channel (Ch. 17 if you have Comcast). As a bonus, you will also witness a curious exchange between Mayor Wilder and the council where they each agreed to hold joint public meetings with citizens on important issues in the near future β€” right after they got around to passing this controversial measure on a rush vote that has never had a single public meeting. As they say, you’ll laugh and you’ll cry…

Ah, but if you don’t have cable, hang on. The circus will come to you. We’ll soon be presenting some very special and revealing video clips from Monday’s meeting that will, as they say, school you on the wit and wisdom of those who bang the gavel at city council:

For instance:

- Did you know downtown Richmond was like Bosnia?

- Are you aware that we can thank the Virginia Performing Arts Foundation for the forthcoming state-of-the-art National Theatre, restored under the care of private entertainment professionals while the city spent millions on a private hole in the ground? It turns out that promoting popular music performances at the National was VAPAF’s idea all along!

- Do you realize that there are punks out there who stop certain city legislators on the street and beg them not to do anything about vacant and blighted properties?

- Were you aware that country music and punk rock are the same thing?

Me neither.

But I WAS aware that, as it turns out, the quick vote on the plan wasn’t necessary β€” just another “smokescreen of semanics.” The construction bids, as we would learn two days later in the RTD (how convenient), were never really in jeopardy of going up if council had deliberated a few weeks longer on this measure. The city is now bound into a 50+ million conpact with a private entity that has already turned the term, “Richmond arts center” into a synoynm for the Keystone Cops. And you can now officially, legitimately call Monday’s affair a “rushed” vote.

Excerpts below. Emphasis mine:

A contract to build an arts center in downtown Richmond was inked yesterday, more than six years after the project was announced and a day after City Council approved it.

Thomas F. Farrell II signed the $58.1 million contract with the Gilbane Christman construction management company as chairman of RPAC Inc. RPAC is the general partner of a public-private partnership that will develop and manage the Richmond CenterStage arts complex.

“It’s been a long, interesting road,” said James E. Ukrop, chairman of the Virginia Performing Arts Foundation. “Hopefully we’ll open in [fall] 2009, and performing-arts groups will have the space they so rightly deserve.”

Farrell said none of the project’s subcontractors backed out — as project officials feared they might — although some of their quotes had expired.

Mayor L. Douglas Wilder’s administration and other project supporters urged the council to vote so the construction contract could be signed before subcontractors backed out.

[Bruce] Tyler said yesterday that he voted against the agreement because he believes it commits the city to subsidize the arts center for too long without other public support. Richmond will pay up to $500,000 per year as long as its matched with private funds.

Tyler recommended limiting the city’s commitment to two or three years in hopes of approaching the surrounding counties for operating support.

“I truly believe this is a regional project and not a city of Richmond project,” he said. “We have our plate full.”

Kelly E. Miller, chairman of the Chesterfield County Board of Supervisors, said he’s unaware of recent talks of county funding. A regionwide lodging tax increase was proposed and nixed several years ago.

“Certainly, that’s something I haven’t given much thought to,” Miller said.

[Jim] Ukrop said yesterday that the arts foundation plans to give county officials an update on the project soon, but it won’t include a plea for money.

Tyler offered to help pursue regional funding but acknowledged it won’t be easy.

“We have no leverage right now. That’s what went away [Monday] night.”

Tonight’s “Done Deal” at City Council

Monday, September 10th, 2007

Tonight, Richmond City Council will hold a blatantly-illegal vote on a motion involving millions in future taxpayer dollars and the future of Richmond’s most historic performing arts venue; a proposal with blatant conflict-of-interest issues that will not have supporting documentation to back up its assertions; a plan that citizens will not be able to view in its entirety before their representatives vote on it; a paper designed to make a private entity that has already wasted millions in public tax dollars exempt from the eyes of taxpayers and all Freedom of Information laws; a proposal, in fact, that looks more like a pyramid scheme or a Ponzi scam than a serious piece of legislature.

And the room will be packed with supporters of the plan.

Huh?

You read that right. While the Virginia Performing Arts Foundation, for the past four years, has been utterly incapable of playing straight or being transparent with Richmond taxpayers, can’t be trusted with public money, and is seemingly unable to come up with privately raised funds without fudging their cash statements, they do know how to do one thing very, very well: Fill city council chambers with loud supporters wearing buttons and holding up signs reading, “Do it for the children.”

Save Richmond obtained a few recent “rally the troops” emails that are being sent out to Foundation supporters and underlings; some of them would be humorous if the stakes weren’t so high and we weren’t about to watch one of Richmond’s biggest downtown boondoggles ratchet up to a whole new level of waste and malfeasance.

Here is a mass email message sent out from Jerrold Samford of the Alliance For the Performing Arts that showcases the Bizarro World tunnel vision of the VAPAF cheerleaders (most of whom have a personal stake in the proceedings). As you can see, Mr. Samford confuses Kathy Graziano with Ellen Robertson — happens all the time — and seems to have a real disdain for the recent Downtown Master Plan sessions because the 300+ citizens in attendance at the sessions didn’t make funding the Foundation’s arts center a top priority — ain’t Democracy a bitch? He also seems to be saying that council isn’t fully informed on the issue and that supporters in attendance should take advantage of that.

In the end, Mr. Samford inadvertantly makes a strong case for why this plan is so wrong for Richmond.

Bolded for emphasis:

City Council must approve the contract between the City and the RPAC, LLLC for construction and operation of Richmond CenterStage and operations of the Landmark Theatre. As you know, this is a very comprehensive agreement that binds the City to a 40-year lease period. City Council has not been very involved in the process, except that Kathy Graziano and Bill Pantele were appointed to the VAPAF Board about two years or so ago. We assume they have kept the Council informed to some degree, but probably not to the depths they need to be thoroughly familiar with the proposal on the table.

Over the last month or so, Venture Richmond collaborated with the City on a masterplanning-visioning exercise. Some of you may have gone to that. I understand that the outcome did NOT include a significant focus on downtown performing arts spaces.

What I expect at the Council meeting on the 10th is for Council to raise three (3) questions:

1. Why should the City lease the facilities to RPAC, LLLC?

2. Why should the City give RPAC, LLLC $500,000 in operating support money?

3. Isn’t $25 Million enough?? Shouldn’t we spend that money on [pick your fav. program]???

3 [sp]. If performing arts isn’t a component of the recent master planning work, does the public support it at all? Why don’t we take back all our money and do something else with it?

We can help RPAC and the Foundation answer these questions and speak with a voice that represents the performing arts community. There will undoubtedly be citizens attending and speaking against this project as wasteful and unnecessary. We can be the voices of the public in support of the project.”

No doubt Mr. Samford’s call to arms will bring out to council chambers a bevy of hand-wringing non-profit arts managers and lots of pontificating about the value of “the arts.” This is, as we all know, not about the arts. This is a high-stakes real estate deal that seeks to have the public pay its bills.

And it’s hardly a pure piece of grassroots lobbying. As longtime Save Richmond readers will remember, the bylaws of Mr. Samford’s organization state that members of his Alliance have no choice but to speak in favor of what is happening. They are forbidden to speak negatively against the Virginia Performing Arts Foundation and/or their project. The penalty is expulsion from La-La Land.

My absolute favorite of these hysterical “bring out the troops” missives is this one:


Sadly, I just found out that Don Harrison and his group of advocates are planning to attend the City Council meeting Sept.10.

PLEASE DO EVERYTHING THAT YOU CAN TO HELP US IN HAVING AN EVEN LARGER GROUP SHOW UP TO SUPPORT CENTERSTAGE!

Linda Dalch Jones
Executive Director
Virginia Performing Arts Foundation
111 Virginia Street, Suite 402
Richmond, VA 23219
Office 804-327-5750
Fax 804-327-5753

“Don Harrison and His Group of Advocates”? Yes, me and the band will be appearing at the Petersburg Holiday Inn, two shows nightly.

Wrong yet again, VAPAF-ers! To set the record straight, I do not have a “group of advocates” that I’ll be bringing to tonight’s meeting. As far as I know, I’ll be the only one speaking against this blatantly illegal and certainly sordid and unethical real estate giveaway. Somebody’s got to.

And plenty of people have already. Few at City Hall seem to be listening:

- You can read Paul Goldman’s questions concerning the questionable legality of tonight’s vote — hello Internal Revenue Service! — here at Paul’s spiffy new NBC-12 blog.

- You can read our favorite “Wise man,” Ptaylor, and his startling analysis of the CenterStage proposal over at Richmond City Watch, starting here. (Unlike many on council, it seems that P has actually READ the comprehensive agreement governing all of this — what he has uncovered is shocking and may signal a serious investigation by the Feds of this deal).

— And below (reprinted) is another letter, sent to city council before Thursday’s Finance Committee debacle, and completely unacknowledged by the councilmembers. It’s from the man who successfully ran the Carpenter Center for ten years before the Virginia Performing Arts Foundation got control of the venue, squandered its endowment and left it dark for two years: Joel Katz.

Honorable Council Members:

Given Monday’s potential approval, please get your calculators out and pay attention to exactly how much money the City has sunk into the Broad St. hole-in-the-ground adjacent to the long-closed Carpenter Center:

A $25 million gift may be approved Monday night. This is in addition to the $8 million in meals tax funds already spent. And what do the citizens have to show for that: a bad concert hall design, millions wasted on out-of-town consultants, enormous public relations campaigns and slogans, and excessive executive salaries.

That’s not all. The City provided an additional $2 million to “buy” Thalhimers from the Carpenter Center years ago. They then “sold” it to the Foundation for zero dollars.

That’s $33 million so far and also on the table is a $500,000 annual subsidy to the Foundation. Over 10 years, yep, it’s $5 million and we are up to $38 million.

How much has the City provided the Carpenter Center in subsidy over its history? Nothing, nada, zero.

So will you contribute $38 million to a construction project that has no total yet and subsidize an operating plan that has no operator in place to determine the true costs and potential revenues. Think how many school roofs could be fixed, ADA issues eliminated, sewers cleaned out, crime fighting equipment bought, etc.

The true role of municipal government is to keep us safe and offer education to our children. If Richmond were rich, an arts center handout in this amount might make sense.

Is Richmond that rich or that misguided?

Joel D. Katz

The City Council meeting begins at 6PM in council chambers, 2nd floor of Richmond City Hall, 900 E. Broad Street. If you’ve never seen a “done deal” up close, bring the family and a tub of popcorn (and if you can’t make it, say hello to your councilperson here and tell them what you think of their work). It should be quite an educational experience for all those who thought directly electing the city’s mayor would bring participatory Democracy to Richmond.

Don Harrison and His Group of Advocates will be there, performing “We Built This City,” “Taps” and other downtown favorites.

Paperwork Snag

Thursday, September 6th, 2007

“Our timing will get blown, and there will be no way to stay on schedule if this doesn’t happen.” — Brad Armstrong, President of the Virginia Performing Arts Foundation, July 2003

If you go back and read through the Save Richmond archives, you’ll find a couple of theories being explored fairly consistently. First of all, Richmond is actually run by its business community, which has the power — working through the city’s weak, corrupt and/or sycophantic leaders — to tax, spend and monopolize all mainstream debate in River City.

Second of all, Richmond — a place that is said to value its past — fails to learn from history, and makes the same mistakes time and time again.

Last night’s Finance Committee meeting on the Virginia Performing Arts Foundation’s CenterStage not only continues — and escalates — Richmond’s most notorious taxpayer-funded boondoggle, it is an eerie reminder of the past. Have you ever seen a “done deal” up close? Consider that the public comment period on the proposal was held AFTER the councilmembers on the committee voted yes to the measure — how’s that for convenient?

From this, we get a sense of the utter disregard Richmond’s City Council has for the views of the taxpayers it has been charged to serve — and how the average citizen can expected to be treated when the full city council does meet to vote on this proposal, which involves millions in present and future public dollars. It all seems… very… familiar.

Over at the Richmond City Watch forum, Creativeclass looks at CenterStage and wonders what year we are stuck in — 2003, 1985 or 1865. Longtime readers will recall that, in July 2003, city council went ahead and held a vote to raise the meals tax for VAPAF despite:

- The indictment a few days earlier of councilwoman Gwen Hedgepeth on bribery charges (rather than recuse herself from the vote, Hedgepeth voted “yes” to fund the Foundation’s arts center — she said she was doing it “for the children”)

- The installation — on the very night of the vote! — of two interim council members. One of them (Robert Jones) wisely abstained from voting, saying that he had not conferred with voters on the issue. The other (Walter Kenney) wasn’t concerned with such niceties. He voted “yes” to fund VAPAF through increased consumption taxes, stating: “The anticipation, as I understand it, is that some of the funds — maybe at least 50% — would go toward public education — that’s what I understand… I understand that there is another anticipation: That the counties are expected to participate. Hopefully in sort form of revenue sharing along with Hospitality industry — hotels, motels — and then the Federal and State government are expected to (participate) further.”

- Uncertainty that there would even be a vote. VAPAF’s meals tax hike needed to be passed quickly, Mayor Rudy McCollum told the press. He was willing to hold up the vote only if the votes weren’t there to pass. Why the rush? “Our timing will get blown, and there will be no way to stay on schedule if this doesn’t happen,” VAPAF President Brad Amstrong told Richmond.com a few days before the meeting. “The economic impact is a big deal. The economic engine this creates is more than the cost of the meals tax increase. It makes sense. It’s an economic decision as well as a cultural decision. Everybody wins.” Mr. Amstrong would later tell the public he was taking a pay cut and that his excessive salary didn’t come from public money— ahem! Those with long-term memories will recall that, on the day of the scheduled meeting, no one knew whether or not city council was going to take up the meals tax motion — naturally it did, and it passed. Despite the uncertainty and the confusion, a record number of citizens came out to speak out against the measure; so many that the full citizen comment period had to be suspended.

If there was ever a “done deal,” clearly designed to ward off real debate and to supress citizen comment, it was witnessed the night the city council raised the meals tax on behalf of a well-heeled and secretive private entity. And despite assurances that that initial plan would hold the Virginia Performing Arts Foundation’s “feet to the fire” with proper oversight and built-in safeguards, a city auditor later determined that city council failed to adequately monitor, or even clearly define, how the Foundation could spend the city tax money they were awarded. This in addition to the discovery that the private entity did not have the fundraising dollars that it claimed to have.

$22 million dollars and one hole in the ground later, we could see first hand how the city’s “rush vote” had worked out for Richmond. Little wonder that, upon entering office, Mayor L. Douglas Wilder pointed to the former administration’s deal with the Foundation as a prime example of how “business” shouldn’t be done:

“Two years ago, in an unprecedented move without adequate input from the public or adequate due diligence on the part of those heading city government, the Council and the Performing Arts Foundation passed a new tax dedicated to a private entity, and furthermore, gave that entity control over one of the most valuable pieces of land in Richmond.

“This was supposedly a privately funded thing. That all you needed was a little seed money from the public. Now you’ll find that two-thirds of the money that will be generated, if they are counting, will be public when you count the federal, when you count the state and the city. [This occurred] without the city or any locality or any of the government officials having any say-so as to what happens. How anything like that could have gotten off the ground in the first instance is beyond me.”

Make sure you remember those words when you read the Times-Dispatch’s account of last night’s meeting — it’s like traveling back into time. Substitute Mayor Wilder for Mayor Rudy. Substitute Harry Black for Calvin Jamison. Substitute a confident (but hardly forthcoming) Bill Pantele for the Bill Pantele who claimed the meals tax hike would only be “temporary.” Substitute Jackie Jackson (who was the only councilmember to vote “no” in 2003) with Bruce Tyler (who has questions about costs). Substitute “paperwork snag” for internal council shakeup. Substitute “we need to do this now or our subcontractors will be unhappy” for “our timing will be blown.” Substitute “closing a loophole” for “feet to the fire.”

Mix and stir. Emphasis mine:

Panel OKs arts center plan
But paperwork snag may delay vote by full Richmond council
Thursday, Sep 06, 2007
By DAVID RESS AND WILL JONES
TIMES-DISPATCH STAFF WRITER

Incomplete paperwork could delay Monday’s vote on an arts center in downtown Richmond - a project that one councilman complained would cost taxpayers millions more than one Mayor L. Douglas Wilder had killed.

But the City Council’s Finance Committee voted anyway to recommend the Wilder-backed plan for the $58 million Richmond CenterStage construction project.

Yesterday’s votes on two ordinances came before the session was opened for public comment - drawing a complaint from one city resident that the decision appeared to be decided without public input.

“I feel helpless at this point,” Silver Persinger told council members. “To me, it seems like a done deal.”

Earlier, a consultant for the Virginia Performing Arts Foundation, which prepared the plan, said a possible delay of the council vote to Sept. 24 could lead subcontractors to back out of prices they had quoted in June.

Afterward, committee Chairwoman Ellen F. Robertson predicted the council would more than likely not vote Monday because the agreement as initially submitted lacked some supporting documents. Public-notice rules require complete proposals be available to the council and public for review.

“There’s a legality there. I think we need to make sure we close that loophole,” Robertson said after the three-hour meeting.

As she was saying that, Councilman Bruce W. Tyler said he was concerned by city administration projections, disclosed for the first time, that the arts center would cost as much as $50 million in financing costs over 20 years and up to $20 million in operating subsidies over 40 years.

That’s far higher that the $27.8 million the city promised in 2003 when it agreed to support a version of the complex that would have filled the entire block bounded by Broad, Grace, Sixth and Seventh streets.

Wilder blasted that plan as a waste of taxpayer money after private-sector backers missed fundraising deadlines. His opposition forced a scaling back.

“In the back of my mind, there’s a question whether with all that we have gone through, have we asked the citizens of Richmond for more money,” Tyler said. He said he wanted to amend the proposal agreement to limit the years the city would pay a $500,000 annual subsidy to operate the center and Landmark Theater. The 40-year contract for the project now sets no time limit.

It was a question from Tyler at the outset of the meeting that prompted City Attorney Norman Sales’ opinion that the vote might have to be delayed.

Sales’ opinion shocked backers of the project, who warned it could risk a key element - a guarantee from the main contractor that any cost overruns above $58 million would come out of its pocket.

That contract can’t be signed until the council acts, said Michele Walter, a consultant to the foundation. And that price is based on bids that subcontractors submitted in June, and those promises run out after 90 or 120 days, she said.

She said there could be a problem with subcontractors even if word of a possible delay got out.

J. Robert Mooney, vice chairman of the Virginia Performing Arts Foundation, said: “I think we want to regroup. I’m optimistic we’ll have a chance to continue to present our case. It’s more of a City Council discussion than ours.”

Richmond CenterStage is scheduled to open in fall 2009, and leaders of several arts organizations told council members they need the project’s go-ahead because they’re already planning their 2009-2010 seasons.

Council President William J. Pantele said he’s hoping to be able to vote Monday and didn’t want to say who might be responsible for any increased costs.

He said his primary question about the agreement was addressed. He clarified with the administration and arts foundation that the $500,000 in city operating support for the arts center would be in lieu of - not in addition to - the more than $750,000 that taxpayers now pay annually to operate the Landmark Theater.

“I think, all in all, this is a well-put-together plan,” he said.

Right! It’s such a well-put-together plan that Mr. Pantele can’t even share the details of it with his constituents. It’s 2003 all over again. The only difference is that, this time, VAPAF rushed into construction without having council approval and are now whining about the fact that someone dared to notice.

If the past gives any clue, this council will vote Monday night and, bullied by the Foundation, will pass this thing largely unamended. No feet will be held to the fire and the rest of us will pay the costs for generations to come. It’s Richmond, after all — where the business elite can do what it wants (no matter how illegal, unfair or ill-conceived) and where we consistently fail to learn from our past mistakes. The city council made this monster and have learned nothing; it’s clear to see that they intend to follow it straight off the cliff.

As for our directly elected mayor and his role in this, I think we will all stifle the urge to suppress a cough the next time he talks about bringing “accountability” and “responsibility” to our city government, and points fingers at others for waste and political patronage. Whatever year it happens to be, this boondoggle is now all his.

Richmond’s War on Artists (Continued)

Monday, September 3rd, 2007

While the Virginia Performing Arts Foundation’s CenterStage is slotted for an undeserved $25 million payoff from the city, and $500,000 a year of your tax dollars for the next, oh, forty or so years, we find out in Saturday’s newspaper how the city treats genuinely successful and popular “street level” downtown arts projects.

Excerpts below. Emphasis mine:

First Fridays gets UR touch
Its Modlin Center steps in to sponsor downtown artwalk
Saturday, Sep 01, 2007
By CYNTHIA MCMULLEN
TIMES-DISPATCH STAFF WRITER

In a classic case of east-meets-west and vice-versa, University of Richmond’s Modlin Center for the Arts will be the presenting sponsor for the seventh season of Curated Culture’s First Fridays Artwalk.

The collaboration brings much-needed funding — $25,000 — to a small organization, says Christina Newton, director of Curated Culture Inc.

She also expects it to spread awareness of both organizations, whose audiences often tend to stay either east or west of the Boulevard.

Kathy Panoff, executive director of the Modlin Center, says one goal, as sponsor, is to let people know the depths of Modlin’s programming in the performing and visual arts.

She wants to cultivate the “super-hip” downtown audience, and Newton wants to expose First Fridays audiences to what the Modlin has to offer.

To that end, the Modlin Center will supply some of First Fridays’ talent this season. For example, chamber musicians eighth blackbird will perform in Art6’s main gallery Nov. 2.

The University of Richmond has taken a big role in local arts marketing, Panoff says, and this was the next logical step.

“A lot of people have had their eye on First Fridays. What I don’t want is for it to lose its grass-roots nature. It’s not overly institutionalized.

“We’re not trying to take it over, we’re trying to shore it up.”

That’s good news for Newton, who has big plans.

September’s Artwalk will be a soft opening, she says, as it’s so close to Labor Day.

The official season kickoff will be Oct. 5 which, in addition to the usual gallery openings, will include concerts by No BS Brass Band and Richmond Symphony’s Brass Quintet.

Holiday window displays are in the works for December.

“There’s so much new energy downtown,” Newton says. “People are much more engaged . . . the Historic Jackson Ward Association, Downtown Neighborhood Association, the police.”

Still, there are frustrations for First Fridays’ only (and part-time) staff member.

“Our efforts have made the greatest impact on revitalization,” she says, “but the city says there’s nothing it can do.”

First Fridays has an annual budget of $100,000. “We do it because we love it,” says Newton, “but at a point we’re getting pretty burned out.”

Cities are normally partners in similar programs, she says. “I think [city of Richmond officials] think because it’s happening, it will continue to happen.

“I’ve been trying to get a meeting with the mayor for a year and a half.”

City spokesman Linwood Norman says city officials would encourage her to work with the Arts & Cultural Funding Consortium. That kind of funding request goes through the consortium, he says.

Whoa, Nelly! The Mayor’s mouthpiece should get his facts straight. The “original members” of the Arts and Cultural Funding Consortium (a.k.a. the ones who get the bulk of any annual funding β€” Mr. Norman can access that list here) are forbidden to lobby the city directly. But Curated Culture is one of those “annual members” who get the scraps (if they are lucky and ask real, real nice) and can lobby the city in blank verse and in full makeup all day long if they choose.

But the mayor’s office would probably know that if they actually met with Newton, heard her out and picked her brain on what she and her low-budget operation is doing right. At present, the city is too busy OK-ing an unverifiable and shoddily-constructed plan to write 40 years worth of blank checks to a private organization of business people that has already wasted millions in public dollars and has a long history of being less than forthright about how it uses our tax money. You could call it “The Sixth Street Marketplace For the Arts” but, in reality, this expensive and sordid backroom deal has the potential to make that notorious booster-approved disaster look like the Taj Mahal.

Ah, but who do the city and the Virginia Performing Arts Foundation piggyback on when they need to find some sort of legitimacy within the downtown arts community for their CenterStage groundbreaking ceremony? Curated Culture’s First Friday’s!

And when push comes to shove, who helps out Curated Culture’s low-budget “street level” operation? Not CenterStage a few blocks down, but UR’s Modlin Center β€” a truly world class performing arts venue. Check out their inclusive and diverse calendar of events here [And don't forget that, in the original consultant's study for VAPAF's arts center, it was claimed that the Modlin would not compete with a downtown arts center because the Modlin was at "the University of Virginia in Charlottesville." That same consulting firm β€” with some interesting recent hires β€” still clears thousands per month to advise the project. As they say, you couldn't make this stuff up.]

So, if you are scoring at home, our wonderful city leaders can find the money to fund “party patrols,” and enable huge “arts” boondoggles that eschew professionals and community arts people. But they can’t find a dime for β€” or even, in the case of the Mayor, schedule an appointment to hear out β€” the one successful arts project that is already revitalizing downtown.

What’s wrong with this picture?