High-ranking city officials caught with illegal $23,000 car allowances?
Piffle.
Mayor uncovers $2 million in wasteful city spending?
Yawn.
This is baby spit compared to the five years of public money wrangled and wasted by the downtown project now being referred to as “CenterStage.” This beast is one of the very few things that our mayor and city council can agree on (which says a lot about this city and its priorities) — and there will no doubt be millions more in public dollars thrown down this particular hole before it’s over. All because this is the long-burning pet project of our biggest wigs and the city’s more prominent political contributors, boosters and school superintendent choosers.
As you read the following letter from Jerrold Samford, the head of the Alliance For the Performing Arts, to the arts groups that are affiliated with the Virginia Performing Arts Foundation and its “CenterStage” project, see if you can figure out why it would be so “unfortunate” for VAPAF/CenterStage to have to disclose to the press and the general public basic information about a project being largely funded by the public.
Could this “unfortunate” information be the current totals of VAPAF/CenterStage’s recent fundraising efforts, which the Foundation refused to disclose to the Richmond Times-Dispatch? Nope. Turns out that yet another VAPAF/CenterStage executive director has resigned, but will soon be joining other privledged insiders as a special “consultant” to the project.
Serious fun, indeed.
To All Alliance Participants:
I need to share with everyone an unfortunate incident that affects the Alliance and its ability to continue to operate in the manner we have in the past. We are approaching our 9th anniversary (June) and will celebrate many accomplishments with the construction of Richmond CenterStage being almost half done (my unofficial estimate). Throughout that time we have been able to pursue our activities by building trust between organizations that had not talked to each other in the past, much less talked openly about themselves in front of the others. We also were able to work closely with the Foundation on sensitive issues as they developed and were resolved, almost as if we were one organization; with the trust that each would respect the other’s needs and secure in knowing we were all working towards the same objective.
The Alliance has had a completely open door policy for every meeting and has invited participation in these activities from all sectors of local and regional performing arts organizations. As of last week, the trust we have placed in this policy has been severely damaged. During the meeting last week, Bob Mooney shared some confidential information regarding re-alignment of their internal management, particularly regarding Linda Dalch Jones accepting a consulting position with the Foundation and stepping away from her role as Executive Director. Although it should not have been necessary for him to do so, Bob specifically noted to the members that this information was still confidential and had not yet been shared even with the Foundation’s Board. Unfortunately, within an hour of the end of the meeting, Bob received a phone call from the press asking for more information about this “story.”
While nobody can (or will even try to) prove “conclusively” that someone present at that meeting called the press and reported this story, the timing and information described by the press makes it difficult to imagine this as mere coincidence. I have been completely baffled in trying to understand what might motivate one of our participants to breach the trust placed in them and the organization like this. I want to believe that it was coincidence, but find that difficult.
Consequently, after discussing this with Bob, we have agreed that the Foundation will no longer share any sensitive or confidential information with the Alliance at any time prior to its release to the general public. I also ask Keith Martin as head of the Resident Company Association and Bill Martin as head of the Regional Cultural Action Plan process to adopt the same policy, and I suspect individual member organizations within the Alliance will also treat their sensitive information the same way. The Alliance still has much good work it can accomplish: developing regional cooperation, mutually rewarding promotional materials, collaborative productions, and generally improving the business climate for performing arts in the area. We need to focus on the good stuff we can do, and we will need to find a way to rebuild the trust that has been lost.
I would welcome any thoughts or ideas you might have by email, phone, or in person.
Jerry.
Got that, performing arts companies of Richmond? From now on, you will be as in-the-dark about this project as the rest of the city’s residents — even though it is allegedly being built for your benefit.
How ironic that the National Theatre has been successfully renovated, and opened, in just over two years time (and for about half of the money that VAPAF spent digging a hole and then filling it up). Please compare and contrast the success story that is the privately-financed National — an endeavor overseen by arts professionals who know what they are doing — with the record of achievement posted by the publicly-funded Virginia Performing Arts Foundation / “CenterStage” over the past five years:
- Read how VAPAF tried to hold up the private sale of the National here and here.
- Find out here how the overseers of the arts center have failed to commission a single independent feasibility study of any of their multi-million dollar plans, and how they have neglected to solicit even the smallest amount of community input for their proposals.
- Did you know VAPAF was once planning to build a facade of an arts center with nothing inside (no Blazing Saddles jokes, please)? See here.
- Right here, read about how VAPAF squandered the Carpenter Center’s endowment, and see how little money they actually had while publicly claiming to have “raised” nearly $80 million.
- Read how out-of-town consultants make a mint at Richmond’s biggest ongoing boondoggle here and here.
- Get educated here on how VAPAF fired the longtime director of the Carpenter Center, Joel Katz, for daring to speak truth to power, and how the Foundation refused to turn over their much-cited “reams of evidence” to reporters.
- Read the City Auditor’s damning 2005 report on VAPAF’s incompetent fundraising here and find out for yourself how the Foundation and Richmond City Council have “operated in the past.”
- Read how the ongoing waste and incompetence of VAPAF/CenterStage has hurt the region’s performing arts community here.
- Find out here how the Foundation’s former executive director claimed in the press that he took a salary cut, when he actually didn’t, and how his public assertions that “not a penny” of his salary came from Richmond taxpayers turned out to be false. Please note the 18-month lagtime between Save Richmond breaking this news and the daily newspaper’s reporting of it.
- Read here what Mayor L. Douglas Wilder had to say about the arts center project in 2005. “This was supposedly a privately funded thing… how anything like that could have gotten off the ground in the first instance is beyond me.” After reading it, click here and contemplate why Wilder would later reverse course and end up OK’ing a proposal which sees the City of Richmond paying even more to the Foundation and handing over control of the Carpenter Center for 99 years.
- Here, you can see how the Mayor’s “Performing Arts Committee” turned out to be a complete, time-wasting sham, and how VAPAF President Robert Mooney actually crafted the so-called “independent” committee’s final report.
- Read about how City Council and the Mayor combined forces — when they can agree on little else — to keep the boondoggle going here and here.
- Watch in terror as City Council President — and former VAPAF board member — Bill Pantele shuts off council debate on the funding of the project here. See Councilwoman Ellen Robertson make absolutely no sense as she casts a “yes” vote for the boondoggle here. Watch as Councilman and former VAPAF critic Marty “Profiles in Courage” Jewell changes his mind and votes “yes” to continue funding the farce here. See how Bruce Tyler is one of the few on council to ask detailed and serious questions of the project here.
- Right here, you can read how VAPAF/Centerstage officials claimed that they needed their project greenlighted immediately without more public debate because of “sub-contractor issues,” claims later proven to be false; and also find out more about Bill Pantele’s very close and personal ties to VAPAF President Robert Mooney.
- Click here and here to find out how VAPAF intends to hand over management of the Carpenter Center and Landmark Theater to a company that has little experience operating performing arts theatres — one that has been criticized in the past for bilking Richmond taxpayers.
- You can read here how the general public will be unable to file Freedom of Information requests to find out how VAPAF/CenterStage and its outsourced entities spend public tax money.
- You can find out right here what the region’s performing arts community really thinks of VAPAF/CenterStage, and how the arts companies themselves rejected a move by the Foundation to form a “cultural trust” to administer city arts funds. Quote for the ages: “There’s hidden humor in the idea of calling something the ‘cultural trust’ if it involves the Performing Arts Foundation.”
And last but not least:
- Here, you can laugh AND cry as you witness how one recently-announced candidate for Mayor is unable to spell… and how he has plans, if elected, to spend even more of our tax money expanding the “whole” on Broad.