Archive for July, 2008

Unnatural Selection

Wednesday, July 30th, 2008

It was late afternoon when my daughter and I approached a neighborhood playground near Thomas Jefferson High School recently and saw a large handwritten sign in front of the building that read “Public Meeting.”

It was a curious sign because it didn’t say what the meeting was about. That’s one basic tenet of advertising broken, I thought. As a small group exited the building, I asked one man, “What was this for?”

“Choosing the public school superintendent.”

“Really?” I said, gesturing at my 6-year-old daughter, who was soon to begin first grade in a Richmond public school. “I might’ve wanted to sit in on that.”

“Well,” he said, laughing, getting into his car, “they spent most of the meeting talking about how no one showed up.”

As he drove away, I looked over at the nearby playground and thought about how simple it would have been to post a flier about the gathering there, and at other community spots where parents and public schoolchildren gather.

But that’s the kind of common-sense thing one would think of if one were, you know, a parent or someone who deals with parents on a regular, day-to-day basis. It turns out that the committee that School Board Chairman George Braxton appointed to find the new superintendent is short on expertise that could recognize this. Missing among the representatives of this selection committee are — wait for it — actual parents of Richmond schoolchildren or any active teachers in the public school system.

So begins my Back Page contribution in this week’s Style Weekly. To read the essay in its entirety, click here.

Richmond’s Priorities: Ugly Stuff Indeed

Monday, July 28th, 2008

Richmond Magazine has made its sobering overview of the arts center boondoggle available online — it’s an excellent, multi-sourced article that is far from a one-sided puff piece (you can get that here) or a rip job. It leaves few stones unturned.

Not only that, you can read Richard Foster’s investigative feature alongside expanded coverage that details exactly what kind of “entertainment” we can expect for Richmond’s multi-year, multi-million dollar subsidy to a secretive private organization (VAPAF a.k.a. RPAC a.k.a CenterStage Foundation) that has little or no experience in running an arts center.

Much of this has already been reported here at Save Richmond (with past denials from city officials and VAPAF/RPAC/CenterStage, natch), some of it is brand new, scandalous, stuff. Here is a small sampling of the kind of “serious fun” uncovered in Foster’s article and in the web extra:

- There are currently NO plans for the Carpenter Theatre/Center to feature the kind of diverse national fare it used to showcase before it was shut down four years ago after VAPAF squandered the historic theatre’s operating endowment.

- Replacing those diverse national attractions, Richmond can look forward to “family-friendly” events, such as “having the Richmond Symphony play themes from video games in front of large video screens with footage from the games.” [You couldn't make this up.]

- Oh, but worry not. There will also be African drumming.

- In the article, former Carpenter Center head Joel Katz says, “‘They’re running out of time. The greatest artists in the world and the most popular [performances] schedule sometimes three or four years in advance.’ And they may have trouble attracting some national touring shows, he says, because the newly remodeled Carpenter Theater will have 1,700 seats as opposed to the old Carpenter Center’s 2,000 seats.”

- The article outlines the project’s ongoing secrecy, and its cavalier approach to public accountability: “The ordinance that City Council passed in January giving control of the Landmark to RPAC made it clear that financial records would be subject to city audits, just not to residents. The ordinance defines the mayor-appointed RPAC as a ‘private entity’ and says its financial records are not subject to Freedom of Information Act requests.”

- The magazine forwarded a FOIA request and a call to the City Attorney’s office asking for the city code section that would allow the mayor to appoint a private body such as RPAC. The request was ignored.

- Even arts center supporter Dwight Jones, a candidate for Mayor, calls the FOIA restriction ‘over the top’ and says there needs to be ‘accountability in terms of the city’s commitment [to CenterStage].’

- No surprise, perhaps, but another mayoral candidate, City Council president Bill Pantele, doesn’t believe the project should have to be transparent to taxpaying citizens who will be footing the bill for decades. According to the article, Pantele “expresses frustration over why anyone would question RPAC taking over, [stating] that ‘the city’s been losing money on the Landmark Theater for many, many years on a completely transparent basis without a single person complaining about it.’

- Contrary to Pantele’s disingenuous statement above, the article reveals that Former Vice-Mayor and then-1st District Councilman John A. Conrad had questioned the financial, physical and operational management of the Landmark back in 2000. He even organized a task force to study the issues. Ho-hum — another lie from Bill Pantele on behalf of his biggest campaign contributors.

- The article shows that, even in the few areas where the arts center planners are required to publicly file financial statements, they have failed to do so. “Like all nonprofits, CenterStage Foundation is required to file an IRS 990 form disclosing key financial information like funds raised and salaries for executive directors. But the latest 990 available from CenterStage dates back to 2006.”

- The reason that VAPAF can still claim to be a private entity and not a public one is that they are counting their $17 million in Federal tax credits as private money, the feature article reveals. But another mayoral candidate, Paul Goldman, “argues that the historic tax credits are public money and that, subsequently, public money does make up the majority of the funds allocated for the CenterStage project. ‘I don’t think there’s been enough transparency,’ Goldman adds. ‘When you’ve got the majority of a project using public money — in my judgment, you need to have more, not less, public exposure.’” In the article, Chesterfield’s historic tax guru Dan Gecker says that historic tax credits can be counted as private money, but that someone has to front it. Anyone got a spare $17 million lying around?

- City councilman Bruce Tyler attempted to get community arts representatives (such as this writer) on the board of RPAC to represent arts supporters and community interest. This attempt was thwarted and the request was denied.

- The 15-member RPAC board currently has only one arts professional within its ranks… and that one professional has expertise in the visual arts, not the performing arts.

Richmonders should read these pieces in order to find out what local government is subsidizing, and shielding, in their name. And area arts professionals, artists and arts supporters should peruse these features in order to see firsthand just what local government and business leaders really think of competent and knowledgeable arts management, planning and booking (um, not much).

It says a lot about the leaders of this city that they are unable to come together to fund a cost of living increase to retired employees, and can’t live up to their promise to make area schools accessible to handicapped children, but they are able to put all their political differences aside in order to write an open-ended blank check to a private, secretive entity made up of area bigshots that has already wasted millions in public dollars… one that continues to hold ordinary taxpaying citizens in contempt.

Yes, you can tell a great deal about a community by looking at its priorities. Take a good hard look — this is some really ugly stuff, folks.

Serious Fun… With Your Money

Wednesday, July 23rd, 2008

Richmond’s controversial performing arts center is already eight million dollars over its estimated budget.

The planners are 1/4 of the way toward starting an artists endowment (normally a basic pre-requisite of any halfway decent arts complex).

The planners still don’t know how much the venue will cost to run, although city taxpayers will pony up a half mil a year anyway.

They also don’t know who is really going to run it, most probably a firm that has little experience in maintaining performing arts centers.

And — you weren’t going to find out about this in today’s laughably one-sided front-page RTD article on CenterStage’s “progress,” were you? — one out-of-town consultant will make more in a year of being retained by the Virginia Performing Arts Foundation than the entire annual budget of Richmond’s successful First Friday Artwalk. (For a thorough, multi-sourced article that goes into detail about the project, you have to buy the August issue of Richmond Magazine).

Another thing not addressed in the RTD: The millions that Richmond taxpayers will soon shell out so that there is parking for this facility. How many millions have we now poured down the hole? Start adding a few zeros.

Also missing and pertinent: How the decreased number of seats in the Carpenter Center — hello you fat asses! — will now make it virtually impossible to book first-class Broadway touring shows in the future.

Richmond’s most embarrassing ongoing boondoggle rolls on — full scheme ahead and no questions asked. Are we having “serious fun” yet?

Memo to Planning Commission: Stop Dicking Around!

Monday, July 21st, 2008

For once, Save Richmond and the Richmond Times-Dispatch editorial page agree on something…

It’s time for the City of Richmond’s Planning Commission to stop dicking around and pass the Downtown Master Plan.

On Monday, the commission will meet (yet again) to either pass or fail the plan — which was conceived through a highly-inclusive public charrette process (read all about that here) — OR it will postpone its recommendation (yet again) for reasons that are appearing more and more political and tactical than deliberative.

And the conspiracy theorist said: “Hmmmm….?

The DMP draft has already been extensively vetted (take a gander here), and the fear is that, like all of Richmond’s previous Downtown plans, this people-first proposal will be whittled down even more, leaving only the wishes of VCU, the “Metro business community” and big development pie-in-the-sky.

John Sarvay at Buttermilk & Molasses offers up his assessment of the Big Stall:

Blame the delayed vote — and a potentially longer delay — on a final push by several of Richmond’s major corporations, who remain concerned about the plan’s recommendations on their property. In a recent email to Robert Mills, chairman of the planning commission, Venture Richmond’s executive director outlined those concerns in a last-minute pitch for a series of changes to the plan:

Berry writes, in part:

“The draft plan still shows the elimination of the Reynolds Metals manufacturing plant in Manchester [Page 4.31,32,39,40]. The plant itself employs about 500 people, and Reynolds Packaging employs over 1,000 people in the region. We should not send a message to these employees, and to the new owners of Reynolds, that they are not wanted. The draft plan proposes to redevelop the site with a “parking garage to provide needed parking, lined with habitable spaces to create a pedestrian-friendly street frontage” (4.31-32). I’d suggest that the master plan show the plant as is, and not refer to it in derogatory terms ‘…in one instance, an industrial building has agglomerated four urban blocks, interrupting the street grid…’ I’d suggest that the jobs and the economic vitality provided by that plant, which has been there about 70 years, is far more important than restoring the street grid.”

Oddly enough, I was just part of a discussion not a month ago with several members of Richmond’s corporate community about conversations with the plant’s new owners about it being acquired by the city, the operations being moved and the street grid and canal access being restored.

Berry’s other concerns were all raised in the public session earlier in July — the plan’s recommendations for 7th Street adjacent to the Federal Reserve Bank [Page 3.31]; the illustrative 10th Street overlook where a Dominion power sub-station currently sits [Page 4.27]; and the proposed signature building at the north end of the Manchester Bridge [Pge 4.28].

These are issues that have been discussed and negotiated for months — which makes the last-minute play for revisions a bit annoying. Berry’s argument on almost every point is that the proposals in question are “not realistic.” I’d expect nothing less from a visionary document.

Monday’s planning commission meeting is the political equivalent of a fourth down. All eyes are on the commission — Will they go for a first down, or will they punt?

If you can’t make the 6PM start time, or if you are unable to squeeze into the impossibly small 5th floor Conference room that the commission scheduled for this important open meeting at City Hall, Envision Richmond has an online petition that you can sign in support of the plan.

Update: Today, Venture Richmond’s Jack Berry out a note clarifying his letter to Robert Mills and the Planning Commission, and reiterating his own support of the proposed Downtown Master Plan:

“I read your blogs. Just want you to be clear. I support the plan and hope it will be approved tonight.

In my email, I was simply making one last suggestion to change four site specific recommendations in the plan. Keep in mind that the Reynolds plant I’m talking about is the Manchester Plant on the south side of the river (the mother ship), not the site adjacent to the canal, which has been the subject of recent conversations you referred to in your blog. The Dominion issues (sub station and signature building) are minor tweaks that would do no harm to the plan. I’m simply trying to get us to a point where everyone, including downtown’s biggest employers and biggest property owners, can ALL support the Plan. The Plan has a much higher probability of actually getting implemented if EVERYONE is on board. Ideally, we want all the stakeholders, including property owners, preservationists, concerned citizens, etc. all pushing for its implementation. If we pull that off, we might have a coalition that would be strong enough to get the City to implement the Plan’s most important elements, including acquisition of property for public access to the river, two-way streets, pedestrian priority, etc.

We’re very close to success on step one, adoption of the Plan, but the real test will come later when we find out whether the City feels any urgency to actually do what the Plan says. So let’s stay together on this.”

Everything’s Gonna Get Lighter

Tuesday, July 15th, 2008

To paraphrase Mark Twain, all reports of Save Richmond’s retirement have been greatly exaggerated. In fact, several of these reports have been fairly actionable (note to Mr. Sarvay: Our lawyer will be calling you soon about that vicious “Bill Pantele Campaign Manager” rumor).

The truth of the matter is that we’ve been busy with work and summer family duties and unable to blog. Hey, it happens. But fear not! Save Richmond has a couple of posts “in the works” that you do not want to miss — so stay tuned.

In the meantime, enjoy the sights and sounds of Mates of State, a husband-and-wife musical combo from San Francisco who have a fantastic new CD out on Barsuk Records called Re-Arrange Us. MOS also keep a fun tour blog — called “Band on the Diaper Run” — about life on the road with their two young daughters.

The music of the Mates (Kori Gardner and Jason Hammel) has been rockin’ the Harrison household this summer in a big way, crossing and conquering all pertinent demographic boundaries from the whippersnappers to the old fogies. Enjoy!

Mates of State — “Get Better”

Mates of State — “Fraud in the ’80’s”

Mates of State on “The New Music”